Kagenen’s Painting Collection, very cute style

  • Artwork name
    Kagenen's Painting Collection
  • Author and dynasty
    Kagenen / Qing Dynasty (r. 1644–1911)
  • Dimensions
    Seven volumes in total, size: 24.3 x 16.4 cm
  • Collection source
    Freer and Sackler Galleries
  • License
    Public Domain Content: Free for Personal & Commercial Use
  • Museum-Quality PDF JPG file, 119 pages, size: 370.6 MB
  • Once payment is complete, the download link will be sent to your PayPal email.

Artwork Author

Kagenen, Qing Dynasty (r. 1644–1911), a Japanese painter of the Meiji-Taishō eras, revolutionized kachō-ga (bird-and-flower painting) through his synthesis of Shijō-school naturalism and decorative precision. Based in Kyoto, he mastered polychrome woodblock prints, notably in Keinen Kachō Gafu (1886–1892), blending Kanō-school composition with Western chiaroscuro. His delicate brushwork and seasonal lyricism captured ephemeral flora and fauna, bridging Edo tradition and modern Nihonga. As an Imperial Household Artist, he mentored pioneers like Takeuchi Seihō, cementing Kyoto’s artistic legacy. Keinen’s legacy lies in redefining kachō-ga as a dynamic interplay of scientific observation and poetic elegance, pivotal to Japan’s transition into 20th-century art.

Artwork Story

“Jingnian Painting Collection” is an exceptional collection created by the celebrated Japanese flower and bird painter Kagenen (今尾景年). The complete series spans seven volumes, each containing twelve meticulously crafted paintings. The subjects range broadly—from vibrant depictions of plants and flowers to intricate portrayals of insects, fish, birds, beasts, figures, and landscapes. Notably, each painting is accompanied by a seal, uniform across each volume.

This edition is a woodblock printed, watermarked publication produced by Yunsao Hall in Meiji 39 (1906) and was primarily designed for school art education. Kagenen (1845–1924) was not only renowned in his own right but also recognized as a significant influence on the eminent artist Chen Zhi Fo. As a leading figure of Japan’s Shijo School during the Meiji and Taisho periods, Kagenen was celebrated for his richly colored flower and bird paintings. His artistic journey began at the tender age of 11 under the tutelage of ukiyo-e painter Umegawa Toshin, and he soon embarked on a dedicated study of traditional Japanese painting. Early in his career, he frequently submitted his works to the “Ruyun-sha” established by Shiokawa Wenlin and, from 1875 onward, garnered multiple awards at the Kyoto Expositions.

Under the guidance of Yamamoto Akio in 1877, Kagenen began developing what would later be known as his “Flower and Bird Painting Collection.” First published in 1891, the series was met with widespread acclaim. After turning 50, Kagenen reached the pinnacle of his artistic prowess, working alongside contemporaries such as Takeuchi Seihō and Yamamoto Shunkyo to propel the modernization of Japanese painting. He is widely regarded as one of the powerhouse artists of early Meiji Kyoto and participated in numerous significant exhibitions—both domestic and international—including the Chicago and Columbus World Expositions, the Paris Exposition, the St. Louis World’s Fair, exhibitions organized by Japan’s Ministry of Culture, and the Imperial Art Exhibitions, earning accolades on multiple occasions.

Kagenen’s influence endures through his many disciples—among them Kagenen Kagexiang, Kijima Otani, Kobayashi Wu, Qiao Haiyue, and Maiba Jingquan—who have carried forward the legacy of his distinctive style and artistic vision.

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