From serene countrysides to dramatic seascapes, our landscape collection captures nature’s changing moods in brushstroke and light. These works are not just views, but windows into atmosphere, memory, and the sublime.
This work bridges Southern Song lyrical minimalism and Ming reinterpretations, offering insights into Ma Yuan’s enduring influence and the evolution of “academy-style” landscape painting.
Mi Fu’s “Cloudy Peaks and Pines” scroll whispers ancient burnout remedies through ink-wash poetry. The lone pavilion stands like a medieval mindfulness app icon, while mist-shrouded pines encode Song-era work-life balance wisdom.
Chrysanthemums bloom in abundance, while slanting wind and drizzle animate the scene.
“Flower-Signal Wind” refers to the seasonal breeze that brings the message of blooming flowers. According to the traditional Chinese calendar, the period from Lesser Cold to Grain Rain comprises eight solar terms over four months. For each segment, a flower that most accurately embodies its blooming season is chosen to symbolize the “Flower-Signal Wind.
The bulls are portrayed with robust, muscular forms and a palpable vitality, evoking an impression of raw power that seems capable of overwhelming multitudes.
The painting captures a serene spring scene: willow-draped cliffs, a scholar’s boat drifting on tranquil waters, and a distant dock veiled in mist.
“A Thousand Miles of Rivers and Mountains” is the sole surviving work of the Northern Song master Wang Ximeng. This scroll exquisitely portrays the resplendent landscapes of the motherland.