Religion Art Collection | Perfect for Wall Art, Prints

Madonna of Humility, The Blessing Christ, Two Angels, and a Donor (obverse) (c. 1380-1390)

Andrea di Bartolo (Italian, 1358–1428)

A golden-haloed Madonna sits low on the ground, cradling her child as two angels hover above. The infant Christ raises his hand in blessing over a kneeling donor, their quiet devotion framed by rich blues and intricate gold leaf. The scene hums with quiet reverence, earthly and divine meeting in tender proximity.
Madonna Mit Jesus Umgeben Von Kindern (1896)

Eduard Veith (Austrian, 1858–1925)

A golden glow surrounds the Madonna as she cradles Jesus, children pressing close in quiet devotion. Their faces tilt upward, bathed in soft light, each gaze fixed on the infant. The scene hums with quiet reverence, a moment suspended between earthly tenderness and divine grace.
The Annunciation (1828)

Johann von Schraudolph (German, 1808–1879)

A golden light spills through the window as the angel kneels, wings still trembling from flight. Mary’s hands hover between surprise and acceptance, the air thick with unspoken prophecy. The moment hangs suspended—divine interruption in an ordinary room.
Saint Francis of Assisi

Henri Martin (French, 1860–1943)

A humble figure kneels in golden light, robes pooling around him. The brushstrokes blur the boundary between man and nature, as if the very air shimmers with devotion. This Francis seems to dissolve into the landscape, becoming one with the world he loved.
Remembrance

Pierre Olivier Joseph Coomans (Belgian, 1816–1889)

A woman kneels in quiet devotion, her hands clasped tight. The folds of her robe catch the dim light, shadows pooling around her like whispers of prayer. There’s weight in her stillness—something sacred, unspoken. The air feels thick with memory, as if the past lingers just beyond the frame.
In the church (1874)

Moritz Ritscher (German, unknown)

Dim light filters through stained glass, casting colored shadows across the pews. The air feels heavy, thick with silence and the faint scent of old wood. A single figure kneels in the back, head bowed, swallowed by the vast emptiness of the nave. The walls seem to lean in, listening.
Moses Smashing the Tablets of the Law (1659)

Rembrandt van Rijn (Dutch, 1606–1669)

Moses stands frozen mid-swing, the shattered stone tablets hurtling toward the ground. His face burns with divine fury, the broken commandments scattering at his feet like fallen idols. The air crackles with wrath—both human and holy—as the covenant fractures in an instant of righteous violence.
Cendrillon (1904)

A. Guillon (French, unknown)

A slipper lies abandoned on the steps, its glass catching the dim light. Shadows stretch long across the stone, hinting at a vanished figure. The air hums with the echo of a clock striking midnight, leaving only this fragile trace of magic behind.
The Angel Of The Annunciation (C.1653)

Carlo Dolci (Italian, 1616–1686)

A golden-winged angel kneels, bathed in celestial light. His delicate fingers part the air as if unveiling a divine secret. The folds of his robe shimmer with restrained energy, poised between motion and stillness. A hush lingers—the moment before revelation.