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Religion

Infused with reverence and symbolism, our religious artworks echo centuries of faith, ritual, and transcendence. These timeless pieces are rich in narrative and spiritual depth, connecting the visible with the divine.

  • The Holy Family (1753)

    The Holy Family (1753)

    Nöel Hallé (French, 1711–1781)

    A tender scene unfolds—Mary cradles the infant Jesus while Joseph watches protectively. Warm light bathes the figures, their quiet intimacy framed by classical simplicity. The moment feels both sacred and strikingly human.

  • Immaculate Conception (1632)

    Immaculate Conception (1632)

    Francisco de Zurbarán (Spanish, 1598–1664)

    A young woman in blue and white robes stands bathed in golden light, her hands clasped in prayer. A crescent moon glows beneath her feet as cherubs swirl in the clouds above. The scene hums with quiet reverence, every fold of fabric and beam of light pulling the eye toward her serene face.

  • The Angelus (1857-1859)

    The Angelus (1857-1859)

    Jean-François Millet (French, 1814–1875)

    A solemn pair of peasants pause their work to pray in a vast, fading field, their devotion etched in quiet detail.

  • Madonna and Child (c. 1400)

    Madonna and Child (c. 1400)

    Gherardo Starnina (Italian, 1354–1413)

    A luminous Renaissance portrayal of Mary and Jesus, blending divine reverence with intimate humanity through delicate details and emotional depth.

  • Isaiah (c. 1838)

    Isaiah (c. 1838)

    Ernest Meissonier (French, 1815–1891)

    A haunting portrayal of the prophet Isaiah, rendered with striking detail and emotional depth.

  • Regina Coeli; Virgin and Christ Child enthroned in the clouds

    Regina Coeli; Virgin and Christ Child enthroned in the clouds

    Ernst Deger (German, 1809–1885)

    A radiant Virgin Mary and Christ Child float among golden clouds, blending divine majesty with intimate tenderness.

  • Madonna and Child (c. 1655 – 1660)

    Madonna and Child (c. 1655 – 1660)

    Bartolomé Estebán Murillo (Spanish, 1618–1682)

    A luminous portrayal of maternal love, where divine figures glow with lifelike warmth and intimacy.

  • The Jewish Bride (c. 1665 – c. 1669)

    The Jewish Bride (c. 1665 – c. 1669)

    Rembrandt van Rijn (Dutch, 1606–1669)

    A luminous portrayal of love, where gesture and light weave an unspoken bond between two figures.

  • The Madonna (18th Century)

    The Madonna (18th Century)

    Neapolitan School (Italian, 1600–1800)

    A tender depiction of the Virgin Mary and Christ Child, glowing with warmth and intricate detail.