Figurative Art Collection | Perfect for Wall Art, Prints

The Sleeping Beauty (1921)

John Collier (English, 1850–1934)

A woman lies in deep slumber, draped in flowing white, her golden hair spilling across the pillows. The air hums with enchantment—time suspended, waiting for that fateful kiss to break the spell. Her stillness holds the weight of a thousand untold stories.
Bal blanc (1903)

Joseph-Marius Jean Avy (French, 1871–1939)

A swirl of white gowns glides across the floor, their movement frozen mid-step. The air hums with muffled laughter and rustling fabric, a fleeting glimpse of elegance caught between one turn and the next. Light bounces off satin slippers as the dance lingers, suspended in its own rhythm.
Jeanne Fourmanoir sur le lac (1892)

Berthe Morisot (French, 1841–1895)

A woman reclines in a rowboat, her dress pooling around her as sunlight dances on the lake’s surface. The water holds her reflection loosely, like a thought about to slip away. Oars rest idle—no hurry, no destination. Just the quiet ripple of time passing.
Spring Dance

Arthur F. Mathews (American, 1860–1945)

Flowing skirts swirl in a meadow, arms outstretched under blossoming branches. The dancers move with effortless grace, their joy as fresh as the season itself. Light catches in their hair, the air alive with motion and the promise of renewal.
Little Miss Muffet (1880s)

Francis Donkin Bedford (English, 1864–1954)

A girl in a blue dress sits startled, her bowl overturned. A spider dangles nearby—its legs outstretched, poised to land. The scene hums with childhood fear, that split-second before a scream.
Portrait Of A Lady

Alois Hans Schram (Austrian, 1864–1919)

A poised woman gazes past the frame, her expression unreadable. The soft folds of her dress and the delicate play of light suggest a quiet elegance, yet her eyes hold something distant—perhaps a thought she’ll never share. The portrait lingers between presence and mystery.
Wedded (1882)

Frederic Leighton (English, 1830–1896)

A bride stands solemnly in her white gown, fingers lightly touching her wedding band. The heavy folds of fabric and downcast eyes speak louder than any smile—this moment holds more gravity than joy. Marriage here feels less like celebration, more like a quiet surrender to duty.
The Love Letter (c. 1669 – c. 1670)

Johannes Vermeer (Dutch, 1632–1675)

A woman pauses, letter in hand, sunlight catching the folds of her dress. The room holds its breath—a quiet tension between anticipation and secrecy. Her gaze lingers just beyond the frame, leaving the message’s contents to imagination. The lute rests untouched; music can wait. This moment belongs to the page.
In the Garden (1910)

Włodzimierz Błocki (Polish, 1885–1920)

Dappled sunlight filters through leaves, casting soft shadows on the figures strolling among the flowers. The garden hums with quiet life—a fleeting moment of color and calm, where time seems to pause.