Still Life

Rooted in quiet contemplation, still life reveals the poetry of everyday objects. Our collection transforms the ordinary into the eternal—vessels of memory, harmony, and light.

  • The Wine Glass (circa 1658-1660)

    The Wine Glass (circa 1658-1660)

    Johannes Vermeer (Dutch, 1632–1675)

    A single glass of wine sits half-full on a table, catching the light. Shadows pool around its base, deepening the rich red hue. The stillness holds a quiet tension—as if someone just set it down or might reach for it any moment.

  • Interieur mit festlich gedecktem Tisch

    Interieur mit festlich gedecktem Tisch

    Olga Wisinger-Florian (Austrian, 1844–1926)

    Sunlight spills across the linen, glinting off polished silver. A half-filled wineglass casts a watery shadow beside ripe fruit. The table hums with quiet anticipation—an unfinished meal, a paused conversation, the air thick with unspoken stories. Every detail pulses with life, waiting for the feast to resume.

  • Vision; vase of flowers (1900)

    Vision; vase of flowers (1900)

    Odilon Redon (French, 1840–1916)

    A vase blooms with flowers that seem to hover between dream and decay—petals too vivid, stems unnervingly still. The air hums with something unspoken, as if the arrangement holds a secret just beyond reach.

  • Large Vase with Flowers (c. 1912)

    Large Vase with Flowers (c. 1912)

    Odilon Redon (French, 1840–1916)

    A riot of blooms spills from the vase, their petals glowing like stained glass against the dark. The flowers seem to pulse with an inner light, as if dreaming themselves into existence. Something wild lingers beneath the surface of this still life—a whisper of mystery tangled in the stems.

  • Fleurs Des Champs (1940)

    Fleurs Des Champs (1940)

    Henri Manguin (French, 1874–1949)

    Wildflowers burst from the canvas—vibrant reds, yellows, and blues clash like a summer meadow caught in midday light. Thick brushstrokes give the petals weight, as if they might spill beyond the frame. No delicate arrangement here; these blooms pulse with untamed energy.

  • Arranging Flowers

    Arranging Flowers

    Wilhelm Kotarbiński (Russian, unknown)

    A riot of blooms spills from a vase, petals trembling with life. Each stem leans into the next, a tangle of color and wild grace. The flowers seem to breathe, caught in a moment of untamed beauty before they inevitably fade.

  • Still Life with Flowers (1905)

    Still Life with Flowers (1905)

    Odilon Redon (French, 1840–1916)

    A cluster of blooms floats against darkness, petals glowing like embers. Their forms blur between real and imagined—soft edges dissolving into shadow. This is no ordinary bouquet; these flowers hum with hidden life, pulsing just beyond sight. Something stirs beneath their delicate surfaces.

  • Still Life of Oranges and Lemons with Blue Gloves (1889)

    Still Life of Oranges and Lemons with Blue Gloves (1889)

    Vincent van Gogh (Dutch, 1853–1890)

    Sunlight glows through citrus skins, their bright curves resting beside crumpled blue gloves. The gloves lie empty, fingers curled as if just pulled off. A quiet tension hums between the vibrant fruit and the abandoned workwear—something paused, unfinished. The air smells of zest and damp cotton.

  • Arranging the Tulips (before 1928)

    Arranging the Tulips (before 1928)

    Gari Melchers (American, 1860–1932)

    Soft light spills across the table, illuminating a cluster of tulips in mid-arrangement. Their petals—crimson, gold, and cream—curl slightly at the edges, as if caught between the vase and the gardener’s hand. The stems lie scattered, waiting to find their place.