Explore Artworks

  • The Young Artist

    The Young Artist

    Henriëtte Ronner-Knip (Dutch, 1821–1909)

    A child absorbed in drawing, surrounded by the quiet chaos of art supplies, bathed in tender light.

  • The Studio Boat (Le Bateau-atelier) (1876)

    The Studio Boat (Le Bateau-atelier) (1876)

    Claude Monet (French, 1840–1926)

    A floating studio bathed in light, where water and sky merge in Monet’s signature brushstrokes.

  • Violets, Sweet Violets

    Violets, Sweet Violets

    John William Godward (English, 1861–1922)

    A dreamlike neoclassical painting of a woman cradling violets, where light and texture weave a tale of quiet beauty and unspoken emotion.

  • Woman Seated under the Willows (1880)

    Woman Seated under the Willows (1880)

    Claude Monet (French, 1840–1926)

    A woman merges with the landscape under whispering willows, bathed in Monet’s signature play of light and atmosphere.

  • Young Woman Knitting (ca. 1883)

    Young Woman Knitting (ca. 1883)

    Berthe Morisot (French, 1841–1895)

    A woman immersed in knitting, rendered with delicate brushwork that transforms mundane activity into poetic meditation.

  • Mrs. Alexander Campbell of Possil (between 1756 and 1823)

    Mrs. Alexander Campbell of Possil (between 1756 and 1823)

    Sir Henry Raeburn (English, 1756–1823)

    A poised portrait of quiet confidence, blending elegance with masterful brushwork and subtle narrative depth.

  • Resting (C. 1875)

    Resting (C. 1875)

    John Singer Sargent (American, 1856-1925)

    A serene moment of contemplation, rendered with Sargent’s signature sensitivity to light and texture.

  • Spring (1877)

    Spring (1877)

    Alfred Stevens (Belgian, 1823–1906)

    A woman in spring’s embrace, surrounded by blossoms, her expression a mix of contemplation and quiet joy.

  • Portrait of Rembrandt with a Gorget (after c. 1629)

    Portrait of Rembrandt with a Gorget (after c. 1629)

    Rembrandt van Rijn (Dutch, 1606–1669)

    A striking self-portrait where light and shadow reveal the artist’s probing gaze, framed by an unusual gorget.

  • Poplars on the Epte (1891)

    Poplars on the Epte (1891)

    Claude Monet (French, 1840–1926)

    A serene riverside scene where poplar trees dance in the light, their reflections blending with the water in a haze of color.

  • Meadow (1875)

    Meadow (1875)

    Alfred Sisley (French, 1839–1899)

    A serene Impressionist landscape where light dances across wild grasses, revealing beauty in the ordinary.

  • Haystacks (1885)

    Haystacks (1885)

    Claude Monet (French, 1840–1926)

    Golden haystacks glow under shifting light, transforming a simple field into a study of color and atmosphere.

  • Vineyards at Auvers (1890)

    Vineyards at Auvers (1890)

    Vincent van Gogh (Dutch, 1853–1890)

    A vibrant, turbulent landscape where van Gogh’s brushstrokes turn vineyards into a living, breathing force.

  • Pomegranates, Majorca

    Pomegranates, Majorca

    John Singer Sargent (American, 1856-1925)

    A luminous study of pomegranates in Mediterranean light, where rough skins split to reveal glistening seeds, balanced between stillness and decay.

  • The Broken Pitcher (1891)

    The Broken Pitcher (1891)

    William Bouguereau (French, 1825–1905)

    A young girl holds a broken pitcher in a sunlit field, her expression blending innocence with quiet regret.