Weather

  • Spring Mist (1893)

    Spring Mist (1893)

    Stanisław Witkiewicz (Polish, 1851–1915)

    A veil of mist softens the trees, blurring the line between earth and sky. Pale greens emerge like whispers through the haze, hinting at the season’s slow unfurling. The air feels damp, heavy with the quiet promise of spring.

  • The Mountain Mists (circa 1912)

    The Mountain Mists (circa 1912)

    Herbert James Draper (English, 1863–1920)

    Peaks dissolve into swirling mist, their edges blurred like wet charcoal. The air hangs thick, softening jagged rocks into spectral forms. Somewhere below, unseen valleys breathe damp clouds upward, swallowing the mountains whole. Light struggles through the haze—just enough to hint at the land’s stubborn presence beneath the veil.

  • Dans le Brouillard (late 19th-early 20th century)

    Dans le Brouillard (late 19th-early 20th century)

    Henri Martin (French, 1860–1943)

    Mist curls through the trees, softening edges into whispers of green and gray. The world dissolves into layers of quiet—a hush where light barely breaks through. No horizon, only the slow fade of branches into fog. France breathes here, unseen but thick in the air.

  • Fog, Voisins (1874)

    Fog, Voisins (1874)

    Alfred Sisley (French, 1839–1899)

    A misty countryside scene where fog softens the landscape into layers of delicate color and light.

  • L’Île Lacroix, Rouen (The Effect of Fog)

    L’Île Lacroix, Rouen (The Effect of Fog)

    Camille Pissarro (French, 1830–1903)

    A misty riverscape where fog blurs the line between water and sky, creating a dreamy, tranquil atmosphere.

  • La route (Seine-et-Marne)

    La route (Seine-et-Marne)

    Jean Charles Cazin (French, 1841–1901)

    A tranquil country path bathed in hazy light, where every brushstroke feels like a half-remembered dream.

  • Le Crépuscule (circa 1888-1893)

    Le Crépuscule (circa 1888-1893)

    Childe Hassam (American, 1859–1935)

    A dreamy twilight scene where light and shadow merge, leaving the landscape hovering between day and night.

  • Les Coteaux de Thierceville, temps gris (1888)

    Les Coteaux de Thierceville, temps gris (1888)

    Camille Pissarro (French, 1830–1903)

    A misty countryside scene where muted tones and lively brushwork capture the quiet rhythm of rural life.

  • Waterloo Bridge, soleil voilé (1899-1903)

    Waterloo Bridge, soleil voilé (1899-1903)

    Claude Monet (French, 1840–1926)

    A misty impression of Waterloo Bridge, where sunlight and fog dissolve the city into soft, shimmering brushstrokes.