Landscape

From serene countrysides to dramatic seascapes, our landscape collection captures nature’s changing moods in brushstroke and light. These works are not just views, but windows into atmosphere, memory, and the sublime.

  • Vineyards at Auvers (1890)

    Vineyards at Auvers (1890)

    Vincent van Gogh (Dutch, 1853–1890)

    A vibrant, turbulent landscape where van Gogh’s brushstrokes turn vineyards into a living, breathing force.

  • In Glen Falloch

    In Glen Falloch

    David Bates (English, 1952–)

    A dynamic portrayal of the Scottish Highlands, where bold brushwork and shifting light evoke the untamed spirit of Glen Falloch.

  • Nymphéas (fragment) (circa 1912)

    Nymphéas (fragment) (circa 1912)

    Claude Monet (French, 1840–1926)

    A luminous fragment of Monet’s water lilies, where reflections and reality dissolve into vibrant brushstrokes.

  • Bords De La Seine En Automne (1876)

    Bords De La Seine En Automne (1876)

    Claude Monet (French, 1840–1926)

    A serene riverside scene where autumn colors melt into the Seine’s reflections, alive with Monet’s loose, luminous brushwork.

  • Le Passage des oies sauvages (circa 1862-63)

    Le Passage des oies sauvages (circa 1862-63)

    Jean-François Millet (French, 1814–1875)

    Wild geese streak across a brooding sky, their flight a silent dance over an endless stretch of land.

  • Neige et givre (1910)

    Neige et givre (1910)

    Emmanuel de La Villéon (French, 1858–1944)

    A delicate winter scene where frost turns weeds into shimmering lace, painted with thick, textured strokes.

  • Water Lilies (c.1915–26)

    Water Lilies (c.1915–26)

    Claude Monet (French, 1840–1926)

    A serene pond scene where water lilies and reflections dissolve into brushstrokes of light and color.

  • The Japanese Footbridge and the Water Lily Pool, Giverny (1899)

    The Japanese Footbridge and the Water Lily Pool, Giverny (1899)

    Claude Monet (French, 1840–1926)

    A serene pond with a curved bridge, where water lilies and reflections merge into a vibrant dance of color and light.

  • Haystacks, end of Summer (1891)

    Haystacks, end of Summer (1891)

    Claude Monet (French, 1840–1926)

    A luminous study of haystacks glowing under summer light, where brushstrokes dissolve into pure atmosphere.