Explore Artworks

  • Île aux Fleurs near Vétheuil  (1880)

    Île aux Fleurs near Vétheuil (1880)

    Claude Monet (French, 1840–1926)

    A vibrant riverscape alive with wildflowers and shimmering reflections, blending light and movement into a dreamlike scene.

  • The Love Letter (1907)

    The Love Letter (1907)

    John William Godward (English, 1861–1922)

    A woman in classical robes reads a letter, her expression caught between hope and melancholy, surrounded by opulent textures and soft light.

  • Preparing For The Performance

    Preparing For The Performance

    Édouard Frédéric Wilhelm Richter (French, 1844–1913)

    A dancer’s private moment backstage, bathed in gaslight and tension, reveals the unseen labor behind the spectacle.

  • The Footbridge over the Water-Lily Pond (1919)

    The Footbridge over the Water-Lily Pond (1919)

    Claude Monet (French, 1840–1926)

    A lush, hypnotic vision of Monet’s water garden, where reflections and reality melt into vibrant brushstrokes.

  • Slight Progress

    Slight Progress

    François-Louis Lanfant De Metz (French, 1814–1892)

    A painting where light and shadow dance across fragmented forms, hinting at quiet transformation beneath the surface.

  • The Artist’s Garden at Vétheuil (1881)

    The Artist’s Garden at Vétheuil (1881)

    Claude Monet (French, 1840–1926)

    A riot of flowers in Monet’s garden, where brushstrokes dissolve into light and the Seine whispers in the distance.

  • Stack of Wheat (Thaw, Sunset) (1890-91)

    Stack of Wheat (Thaw, Sunset) (1890-91)

    Claude Monet (French, 1840–1926)

    A solitary haystack glows under a winter sunset, its warmth melting into the cool tones of thawing snow.

  • Stacks of Wheat (Sunset, Snow Effect) (1890-91)

    Stacks of Wheat (Sunset, Snow Effect) (1890-91)

    Claude Monet (French, 1840–1926)

    A serene winter landscape where haystacks glow under a dusky sky, their forms softened by snow and fading light.

  • Study of a Dog (1860s)

    Study of a Dog (1860s)

    Rosa Bonheur (French, 1822–1899)

    A masterful study of a dog’s quiet presence, where every brushstroke breathes life into fur and gaze.

  • Flora (1892)

    Flora (1892)

    Max Nonnenbruch (German, 1857–1922)

    A young woman cradles an armful of blossoms in this dreamlike ode to spring, where light and texture blur into something tenderly symbolic.

  • Portrait Of Millicent Leveson-Gower, Duchess Of Sutherland (1867-1955) (1904)

    Portrait Of Millicent Leveson-Gower, Duchess Of Sutherland (1867-1955) (1904)

    John Singer Sargent (American, 1856-1925)

    A luminous portrait blending grandeur and intimacy, capturing the duchess’s elegance and quiet strength through Sargent’s masterful brushwork.

  • Threading the needle

    Threading the needle

    William Kidd (Scottish, 1645–1701)

    A mesmerizing study of hands in motion, where light and shadow transform ordinary thread into something charged with quiet intensity.

  • The little violinist (1887)

    The little violinist (1887)

    Charles Burton Barber (English, 1845–1894)

    A young boy, absorbed in playing the violin, embodies the quiet beauty of childhood and the beginnings of artistic passion.

  • Fauna japonica Pl.027 (1833-1850)

    Fauna japonica Pl.027 (1833-1850)

    Philipp Franz Balthasar von Siebold (German, 1796–1866)

    A vivid celebration of Japan’s wildlife, blending scientific detail with artistic elegance.

  • Paul Verlaine dans un paysage hivernal (1886-1896)

    Paul Verlaine dans un paysage hivernal (1886-1896)

    Frédéric Auguste Cazals (French, 1865–1941)

    A solitary figure wanders through a winter landscape, where the chill in the air seems to echo the quiet weight of thought.