Natural History

Natural history prints with a quiet, archival presence — precise, aged, and rich in the atmosphere of scientific curiosity and collected observation.

  • Latris lineata (NZ) _ Common Trumpeter (1867)

    Latris lineata (NZ) _ Common Trumpeter (1867)

    Frank Edward Clarke (New Zealander, 1864–1935)

    The Latris lineata glides through pale blue water, its silver scales catching light. Streaks of gold trace its fins, while delicate shadows ripple beneath. A quiet predator, built for speed—yet frozen here in fluid grace.

  • The free-living unarmored dinoflagellata pl 7 (1921)

    The free-living unarmored dinoflagellata pl 7 (1921)

    Charles Atwood Kofoid (American, 1865–1947)

    Delicate tendrils spiral from translucent bodies, these dinoflagellates pulse with unseen motion. Their forms twist like living calligraphy, each curve a silent record of microscopic survival in open water. No shells confine them—just the fluid dance of single-celled life, captured mid-swim.

  • Unicornis piscis, The Bahama Unicorn-Fish; The form of a Tooth. (1754)

    Unicornis piscis, The Bahama Unicorn-Fish; The form of a Tooth. (1754)

    Mark Catesby (English, 1683–1749)

    A strange fish with a single horn-like tooth glides through turquoise waters, its scales catching the light. The creature seems plucked from myth, yet rendered with precise detail—as if daring you to question its reality.

  • Insecta Coleoptera Pl 301 (1879-1915)

    Insecta Coleoptera Pl 301 (1879-1915)

    Frederick DuCane Godman (English, 1834–1919)

    A meticulous study of beetles, their iridescent shells gleaming under scrutiny. Each delicate leg and segmented body rendered with precision, transforming specimens into striking portraits. The page hums with hidden life, pinned yet pulsating with detail.

  • Atlas państwa zwierzęcego Pl.75 (1905)

    Atlas państwa zwierzęcego Pl.75 (1905)

    Kurt Lampert (German, unknown)

    A meticulous engraving dissects the animal kingdom—each line precise, each creature frozen in scientific scrutiny. The page hums with hidden order, where fur, scale, and feather submit to the grid of study. Life pinned, yet pulsing beneath the ink.

  • Atlas państwa zwierzęcego Pl.96 (1905)

    Atlas państwa zwierzęcego Pl.96 (1905)

    Kurt Lampert (German, unknown)

    A meticulous engraving of the animal kingdom, each line precise as a scientist’s sketch. Creatures frozen in motion, their forms rendered with the clarity of a field guide—yet alive with the energy of the wild.

  • Recherches sur les poissons fossiles Pl.206 (1833-1843)

    Recherches sur les poissons fossiles Pl.206 (1833-1843)

    Louis Agassiz (American, 1807–1873)

    Delicate bones press through stone, frozen mid-swim. Fins splay like lace against the rock, each spine etched with precision. This fish hasn’t moved in millennia, yet every gill seems ready to flutter. The engraving makes extinction feel startlingly alive.

  • Unidentified Fish (7)

    Unidentified Fish (7)

    Luigi Balugani (Italian, 1737–1770)

    A slender fish, scales shimmering in watery light, drifts mid-page. Its fins flare like delicate fans, each brushstroke precise yet alive. The creature seems to hover between scientific record and fleeting motion—caught in pale blues and soft grays, unnamed but vividly present.

  • A synopsis of the birds of Australia, and the adjacent Islands Pl.08 (1837-1838)

    A synopsis of the birds of Australia, and the adjacent Islands Pl.08 (1837-1838)

    Elizabeth Gould (English, 1804–1841)

    Two parrots perch on a gnarled branch, their emerald and crimson feathers stark against the muted greens. One cocks its head, beak slightly open, as if interrupted mid-chatter. The detailed engraving freezes their wild energy—a fleeting glimpse of Australia’s untamed avian life.