Explore Artworks

Portrait Of A Lady

Alois Hans Schram (Austrian, 1864–1919)

A poised woman gazes past the frame, her expression unreadable. The soft folds of her dress and the delicate play of light suggest a quiet elegance, yet her eyes hold something distant—perhaps a thought she’ll never share. The portrait lingers between presence and mystery.
Poissons, ecrevisses et crabes, de diverses couleurs et figures extraordinaires.. Pl.010 (1718-1719)

Louis Renard (French, 1678–1746)

Vibrant fish dart across the page, their scales shimmering in impossible hues. A crimson crab claws at the edge, while spined crayfish lurk below. Each creature twists with exaggerated forms, as if plucked from a sailor’s fever dream of the deep.
Five Butterflies (c. 1912)

Odilon Redon (French, 1840–1916)

Five delicate wings hover in soft washes of color—pale blues, muted yellows, faint pinks—as if caught mid-flight. Their forms blur between realism and dream, each stroke dissolving into the next. Not quite insects, not quite spirits, they drift just beyond reach.
Wedded (1882)

Frederic Leighton (English, 1830–1896)

A bride stands solemnly in her white gown, fingers lightly touching her wedding band. The heavy folds of fabric and downcast eyes speak louder than any smile—this moment holds more gravity than joy. Marriage here feels less like celebration, more like a quiet surrender to duty.
Blowfish (1889)

Allen & Ginter (American, 1866–1914)

A puffed-up blowfish floats in delicate watercolor hues, its spines bristling against the pale wash of ocean. The careful strokes capture its odd, inflated form—both comical and menacing—as if suspended mid-breath between defense and surrender.
The Love Letter (c. 1669 – c. 1670)

Johannes Vermeer (Dutch, 1632–1675)

A woman pauses, letter in hand, sunlight catching the folds of her dress. The room holds its breath—a quiet tension between anticipation and secrecy. Her gaze lingers just beyond the frame, leaving the message’s contents to imagination. The lute rests untouched; music can wait. This moment belongs to the page.
In the Garden (1910)

Włodzimierz Błocki (Polish, 1885–1920)

Dappled sunlight filters through leaves, casting soft shadows on the figures strolling among the flowers. The garden hums with quiet life—a fleeting moment of color and calm, where time seems to pause.
Great Barrier Reef Corals II (1893)

William Saville-Kent (English, 1841–1908)

Delicate coral branches twist upward, their vibrant hues bleeding into the water. A hidden world pulses beneath the surface—tentacles sway, polyps bloom, life thrives in the silent dance of the reef.
Unidentified Fish (11)

Luigi Balugani (Italian, 1737–1770)

A slender fish glides through the page, its scales rendered in delicate watercolor washes—pale gold fading to translucent silver along the belly. The precise lines of its fins suggest motion, as if it might dart off the paper with one flick of its tail.
Man with children (1914-18)

Zygmunt Waliszewski (Polish, 1897–1936)

A father stands surrounded by children, their faces blurred yet alive with movement. The figures lean into each other, a tangle of limbs and shared warmth. Shadows pool around them, but the group glows—a fleeting, intimate knot of family before the moment unravels.
Foreign butterflies occurring in the three continents Asia, Africa and America Pl.282 (1779-1782)

Pieter Cramer (Dutch, 1721–1776)

Vibrant wings from three continents—Asia, Africa, America—pinned to the page. Each delicate vein, each bold pattern, a fleeting glimpse of life preserved in ink. No two alike, yet bound by the same fragile beauty.
Unidentified Fish (12)

Luigi Balugani (Italian, 1737–1770)

A slender fish drifts in pale wash, its scales precise as etched glass. Fins flare like translucent parchment, edges sharp against the muted background. The creature seems both weightless and poised to flick away with one sudden turn.
The Tower of Babel (Rotterdam) (circa 1563-1565)

Pieter Bruegel The Elder (Flemish, 1525–1569)

A half-built tower spirals into stormy clouds, dwarfing the ant-like workers scrambling across its scaffolding. Below, a king’s entourage arrives—too late. The structure already tilts, its ambition crumbling under divine wrath. Bricks lie scattered like fallen pride.
Natural History (Galerya obrazowa zwiérząt czyli Historya naturalna) Pl.45 (1839)

Anton Benedikt Reichenbach (German, 1804–1877)

A detailed engraving of animals, their forms precisely etched—each line alive with texture and movement. The creatures seem to pause mid-motion, frozen yet full of vitality. The composition balances scientific accuracy with an almost theatrical presence, inviting closer study.
A Town in the Abruzzi

John Ireland Howe Downes (American, unknown)

Nestled among rugged hills, the stone houses of Abruzzi cling to the slopes. Sunlight washes over terracotta roofs, casting long shadows across narrow streets. The landscape feels both weathered and alive, where every cobblestone holds generations of footsteps.