Explore Artworks

The Bower Garden (1859)

Dante Gabriel Rossetti (English, 1828–1882)

Two women sit in a lush garden, their flowing dresses blending with the riot of flowers. One plucks petals while the other gazes away, lost in thought. The air hums with color—deep greens, vibrant reds—a dreamlike scene where nature and human presence intertwine without boundary.
Natalie Barney (ca. 1900)

Carolus-Duran (French, 1837–1917)

A woman gazes sideways, lips parted as if mid-conversation. Her dark dress melts into the shadows, but light catches the curve of her cheek and the loose strands escaping her updo. There’s an energy in her posture—leaning slightly forward, one hand resting on her hip—that suggests wit barely contained.
Le manchot aigrette (18th century)

François Levaillant (French, unknown)

A lone penguin stands alert, its yellow crest sharp against muted plumage. Watercolor strokes suggest the damp sheen of feathers, the weight of a body built for icy waters. The bird’s dark eye holds something watchful, almost wary—an echo of distant, windswept shores.
Portrait de femme

Charles Amable Lenoir (French, 1860–1926)

A young woman gazes past the viewer, her delicate features softened by warm light. The folds of her dress whisper against the canvas, rich with texture. There’s something unspoken in her expression—neither melancholy nor joy, but a quiet depth that lingers.
The Assumption of the Virgin

Ambrogio Bergognone (Italian, 1453–1523)

Mary ascends, bathed in golden light, her robes swirling as angels lift her toward heaven. Below, the apostles gaze upward, some reaching out as if to follow. The scene pulses with divine energy—earthly figures grounded in awe while the Virgin transcends mortal bounds. A moment suspended between earth and eternity.
Poissons, ecrevisses et crabes, de diverses couleurs et figures extraordinaires.. Pl.042 (1718-1719)

Louis Renard (French, 1678–1746)

Vibrant fish dart between spindly crabs, their scales shimmering in impossible hues. A lobster’s claws stretch wide, poised to snap. Each creature twists with exaggerated, almost grotesque detail—nature amplified into something fantastical. The sea here teems with life both familiar and utterly strange.
Les Vieux Prunier (circa 1940)

Henri Martin (French, 1860–1943)

Gnarled plum branches twist against a soft sky, their blossoms trembling with light. The garden hums with quiet energy—each brushstroke alive, flickering between shadow and sun. Time slows here, where the old tree stands rooted in dappled color.
Boletus miniatoporus Secrt. (1915-1945)

Hans Walty (Swiss, 1868-1948)

A cluster of Boletus mushrooms, their caps rich russet and stems pale, stands against a muted background. The delicate gills beneath each cap are rendered with precise, scientific detail, inviting closer inspection of their intricate structure. The fungi seem to emerge from the page, almost tangible in their lifelike texture.
Girl in a Field

Alberto Plá Rubio (Spanish, 1867–1937)

A girl stands alone in a vast field, the wind tugging at her dress. The colors blur between earth and sky, as if she might dissolve into the landscape. There’s something restless in her stillness—waiting, or remembering. The horizon stretches endlessly behind her.
The bird flew away

Édouard Frédéric Wilhelm Richter (French, 1844–1913)

A lone bird lifts from the ground, wings slicing the air. The moment hangs—weightless, fleeting—before it vanishes beyond the frame. Only the memory of movement remains.
Thistles (1906)

Tadeusz Makowski (Polish, 1882–1932)

Thistles rise defiantly, their spiky forms stark against a muted backdrop. The rough texture of leaves and prickly stems almost begs to be touched. A quiet tension lingers—something wild captured in stillness.
Coffee In The Garden

Daniel Ridgway Knight (American, 1839–1924)

A woman sits in dappled sunlight, porcelain cup in hand. The garden hums around her—lush greens, scattered blooms. Steam curls from the coffee, mingling with the morning air. Her pause feels deliberate, as if savoring more than just the drink. The scene holds its breath between sips.
Boletus variegatus (Swarz.) (1915-1945)

Hans Walty (Swiss, 1868-1948)

The Boletus variegatus emerges in precise ink strokes, its mottled cap and stout stem rendered with scientific clarity. Earth clings to the base, as if freshly unearthed. The gills beneath fan out like delicate pleats, capturing the fungus in its prime—neither young nor decaying, but perfectly itself.
Pseudolabrus miles (Kelp) (1876)

Frank Edward Clarke (New Zealander, 1864–1935)

A kelp frond sways in unseen currents, its amber blades framing a flash of crimson—the slender fish darting through tangled green. Watercolor strokes blur the boundary between specimen and habitat, each scale and leaf rendered with equal precision. Life pulses beneath the surface.
THE BEAUTIFUL SPARUS (1789-1813)

George Shaw (English, 1966–)

A shimmering fish, scales catching light, floats suspended in delicate watercolor. The sparus’s vivid hues—gold, silver, hints of blue—ripple like liquid metal. Every fin, every gill rendered with precision, as if it might dart off the page. A quiet marvel of life beneath the surface.