Explore Artworks

A winsome maid, circa (1911)

Robert Hope (Scottish, unknown)

A young woman’s playful smile lingers, her gaze warm and knowing. The soft curve of her lips suggests a secret just shared, while the tilt of her head hints at quiet confidence. There’s life in her expression—something light, unguarded, and utterly charming.
Fishes X (1885-1890) (1)

Frederick McCoy (Irish, unknown)

Delicate watercolor strokes bring these fish to life—each scale, fin, and glint of light rendered with scientific precision. The colors bleed softly, as if the creatures might flick their tails and slip back into the water.
A Young Greek Woman

Henry William Pickersgill (English, 1782–1875)

A young Greek woman gazes into the distance, her dark eyes holding quiet intensity. The folds of her draped garment catch the light, hinting at movement frozen in time. There’s a story in her stillness—something unspoken, lingering just beyond the frame.
Weiblicher Akt (1877)

Franz Rumpler (Austrian, 1848–1922)

A woman reclines, her body bathed in soft light. The folds of fabric cling to her curves, shadows pooling where skin meets cloth. There’s an unguarded ease in her posture—not posed, but momentarily still, as if caught between breaths. The realism strips away pretense, leaving only flesh and quiet presence.
Atlas państwa zwierzęcego Pl.51 (1905)

Kurt Lampert (German, unknown)

A meticulous grid of creatures—each insect, bird, and mammal pinned in place like specimens under glass. The lines are sharp, the details exact, yet the page hums with hidden life. Every stroke feels like a scientist’s hand pausing mid-dissection, caught between order and wildness.
Portrait of a blond woman

Albert Lynch (Peruvian, 1851–1912)

A blond woman gazes past the frame, her expression unreadable. Soft light caresses her features, hinting at secrets just beneath the surface. The brushstrokes blur the line between elegance and mystery, leaving you wondering what thoughts linger behind those distant eyes.
Perca Guttata, The Hind. (1785-1797)

Marcus Elieser Bloch (German, 1723–1799)

Scales glisten under imagined light, each delicate fin etched with precision. The perch’s spotted flank curves gracefully, frozen mid-motion as if still drifting through dark water. A meticulous study of texture and form, every line serves both science and art.
On the Thames (1874)

James Tissot (French, 1836–1902)

A woman in a crisp white dress stands by the riverbank, her parasol tilted against the afternoon sun. Behind her, boats bob on the Thames, their sails slack in the hazy light. The city hums faintly across the water—close enough to sense, too distant to disturb her quiet pause.
Poissons, ecrevisses et crabes, de diverses couleurs et figures extraordinaires.. Pl.052 (1718-1719)

Louis Renard (French, 1678–1746)

Vibrant fish dart across the page, their scales shimmering in impossible hues. A crimson crab claws at a cobalt crayfish, both creatures twisted into fantastical shapes. The sea bursts with life—each specimen more bizarre than the last, as if pulled from a fever dream of the deep.
A Young Woman Carrying A Basket Of Flowers (17th Century)

Roman School (Italian, unknown)

A woman pauses mid-step, her basket brimming with blooms. The flowers spill over the woven edge, petals catching the light. Her gaze lingers just beyond the frame, as if hearing her name called. The folds of her dress sway with the weight of the harvest, alive with color against the muted earth.
Jeanne La Rousse (1)

Jules Joseph Lefebvre (French, 1836–1911)

A woman gazes from the canvas, her red hair catching the light. The portrait holds her quiet confidence, the tilt of her chin suggesting a story left untold. Warm tones wrap around her like an unspoken secret, inviting the viewer to linger just a moment longer.
Le Repos

Victor Gabriel Gilbert (French, 1847–1935)

A woman pauses mid-task, her body sinking into the chair’s embrace. Sunlight slants across the quiet room, catching the folds of her skirt. The air hums with stillness—a rare break in the rhythm of domestic labor. Her hands rest, but her gaze lingers on unfinished work.
Misericordia

Giuliano Presutti (Italian, 1490–1557)

A woman cradles a wounded man, her cloak wrapping them both in warmth. Blood stains his feet, her hands steady against his pain. The folds of fabric seem to breathe—a quiet moment where suffering meets solace.
Orpheus And Eurydice (1864)

Frederic Leighton (English, 1830–1896)

Orpheus turns—just once—to see Eurydice’s face. His fingers brush hers as she fades back into shadows, her form dissolving like mist. The moment hangs between them: love’s last breath before the underworld reclaims her. A single glance undoes everything.
Poissons, ecrevisses et crabes, de diverses couleurs et figures extraordinaires.. Pl.001 (1718-1719)

Louis Renard (French, 1678–1746)

Vibrant fish, crayfish, and crabs twist across the page, their exaggerated forms and wild colors defying nature. Each creature seems to leap from the depths of imagination, more fantastical than real. The sea’s oddities parade in a riot of scales and claws, daring you to look closer.