Explore Artworks

The Repentant Magdalen (c. 1635-1640)

Georges de La Tour (French, unknown)

A single candle flickers in the dark, casting soft light on Mary Magdalene’s bowed head. Her hands rest on a skull, its hollow gaze mirroring her quiet sorrow. The flame’s glow licks at the edges of the frame, leaving the rest swallowed by shadow—a moment suspended between penance and peace.
The Red School House (1873)

Winslow Homer (American, 1836–1910)

A lone red schoolhouse stands against the muted greens of a rural landscape. The weathered wood and simple shape suggest quiet days of chalk dust and recitations, a humble outpost of learning in the open countryside. No children play outside—just stillness, and the faint echo of lessons past.
Atlas państwa zwierzęcego Pl.28 (1905)

Kurt Lampert (German, unknown)

A meticulous engraving of the animal kingdom, where each creature is rendered with scientific precision—feathers, fur, and scales etched in fine lines that bring the wild to life on paper.
The Breeze’s Kiss

Lionel Percy Smythe (English, 1839–1918)

A gust rustles through the tall grass, bending the blades in waves. The air hums with unseen movement, carrying the scent of damp earth and wildflowers. Light dances where the wind touches, fleeting and alive.
Ornithologia methodice digesta Pl.285 (1767-1776)

Saverio Manetti (Italian, 1723–1784)

A meticulous engraving of a bird, its feathers rendered with scientific precision—each line purposeful, each curve alive. The page hums with quiet observation, transforming wings and beak into a study of form and function. Here, nature meets the engraver’s hand, frozen in ink.
Mountain of the Holy Cross (1890)

Thomas Moran (American, 1837–1926)

Snow clings to the mountain’s crevices, forming a stark white cross against the rugged stone. Light spills over the peaks, carving shadows into the valley below. The land feels ancient, untamed—a silent testament to something greater than itself.
Impéria (ca. 1899)

Alfred-Pierre Agache (French, 1843–1915)

A woman draped in flowing robes stands with solemn grace, her gaze distant yet commanding. The air hums with unspoken meaning, her presence both regal and enigmatic. Shadows cling to the folds of her garments, hinting at mysteries woven into the fabric of the scene.
Pontus Fürstenberg (1898)

Anders Zorn (Swedish, unknown)

A man leans forward, his sharp gaze and confident posture framed by a dark coat. The brushstrokes capture his quiet authority, the light catching his face with striking clarity. There’s an unspoken intensity in the way he holds himself—like a conversation paused mid-sentence.
Great Barrier Reef Corals (1893)

William Saville-Kent (English, 1841–1908)

Vibrant coral formations sprawl across the seafloor, their intricate shapes and hues revealing the hidden life of the reef. Delicate branches and massive boulders pulse with color, a silent underwater world teeming just beneath the surface.
Insecta Lepidoptera-Heterocera Pl 049 (1879-1915)

Frederick DuCane Godman (English, 1834–1919)

Delicate wings unfurl, each vein traced with precision. The moth’s muted palette—soft browns, faint yellows—belies the intricate patterns etched across its body. A scientific study, yes, but also a quiet testament to nature’s hidden artistry.
Southern Garden

Ernst Schiess (Swiss, 1860–1915)

Sunlight dapples through lush foliage, casting shadows on winding garden paths. Vibrant blooms burst between clipped hedges, their colors vivid against the soft greens. A quiet corner invites pause, where the air hums with warmth and the scent of earth. The scene feels alive, almost breathing.
Anthias Diagramma, The Warna. (1785-1797)

Marcus Elieser Bloch (German, 1723–1799)

Vivid orange and yellow scales shimmer against deep blue, the fish’s delicate fins splayed like lace. Every spine and gill is etched with precision, transforming a marine creature into an intricate study of life beneath the waves.
Frühling (1900)

Franz von Stuck (German, 1863–1928)

A nude woman emerges from shadowed foliage, her pale skin glowing against the dark leaves. A snake coils around her wrist like a living bracelet—both threat and adornment. Spring arrives not with blossoms, but with this unsettling union of flesh and serpent, beauty and danger intertwined.
Sunlight (1909)

Frank Weston Benson (American, 1862–1951)

Golden light spills across the figures, dappling skin and fabric with warmth. Loose brushstrokes blur the line between sunlight and shadow, as if the air itself shimmers with summer. The scene hums with quiet energy—a fleeting moment caught between movement and stillness.
Fisherman (1911)

Leon Wyczółkowski (Polish, 1852–1936)

A lone fisherman stands against the wind, his weathered hands gripping the net. The water churns dark beneath him, the sky heavy with unseen storms. Every line in his posture speaks of patience, of battles fought with the sea. This is no idyllic scene—it’s raw, alive, salt-stung.