Explore Artworks

Kalkved. (Viburnum) (1816 – 1875)

P. C. Skovgaard (Danish, unknown)

Delicate viburnum branches stretch across the page, their leaves and berries rendered with precise, inky lines. Each vein and stem is etched with scientific clarity, yet the composition breathes with quiet vitality—a meticulous study that transcends mere documentation.
11 Heures Du Soir. Portrait from Les Dix-huit Heures d’une Parisienne (c. 1830)

Achille Devéria (French, 1800–1857)

A Parisian woman at midnight, her face half-lit by candlelight. The loose curls and slipping shawl suggest a private moment, caught between evening’s end and night’s secrets. The glow softens her features but sharpens the shadows behind her—what thoughts linger in those unreadable eyes?
Santa Maria Della Salute, Venice

Konstantin Ivanovich Gorbatov (Russian, 1876–1945)

Gondolas glide past Santa Maria della Salute’s white domes, their reflections trembling in the canal. Sunlight catches the church’s baroque curves, turning stone to gold against Venice’s watery blues. The city breathes here—salt air, lapping waves, centuries of footsteps echoing across marble steps.
Gregge di pecore con pastore (1904)

Antonio Ballero (Italian, unknown)

A shepherd stands among his flock, the sheep scattered like clouds across the Italian hills. Their wool catches the light, soft against the rough earth. The scene hums with quiet movement—hooves rustling grass, the man’s steady presence holding it all together. Life, simple and unbroken.
Sunset (1865–66)

Frederic Edwin Church (American, 1826–1900)

Golden light spills across the sky, igniting clouds in fiery hues. The horizon glows, dissolving into deep blues where land meets water. Shadows stretch long beneath the trees, their silhouettes sharp against the dying light. A fleeting moment—warmth fading, night approaching—holds its breath.
La belle au bois dormant (1904)

A. Guillon (French, unknown)

A thorny forest engulfs the castle, vines creeping over silent towers. The princess lies motionless, her gown pooling like spilled moonlight. Time itself seems tangled in the brambles, holding its breath for a kiss that never comes. The air hums with unfinished magic.
Reading (1873)

Berthe Morisot (French, 1841–1895)

A woman sits absorbed in a book, sunlight dappling her dress. The brushstrokes blur the line between figure and air, as if she might dissolve into the afternoon. Her stillness hums with quiet intensity—the world outside the page fades to a murmur.
Poissons, ecrevisses et crabes, de diverses couleurs et figures extraordinaires.. Pl.048 (1718-1719)

Louis Renard (French, 1678–1746)

Vibrant fish dart between spindly crabs and crayfish with exaggerated claws. The creatures twist in unnatural hues—crimson, gold, and electric blue—as if plucked from a fever dream of the sea. Every scale and pincer bends reality, turning the ocean’s depths into a kaleidoscope.
Portrait of a young girl in a forest (1878)

Charles Sillem Lidderdale (English, 1830–1895)

A young girl stands among towering trees, sunlight filtering through leaves to dapple her dress. Her gaze holds quiet mystery, as if the forest whispered secrets only she could hear. The play of light and shadow wraps around her like a second skin, both sheltering and exposing her solitary moment.
Tête d’Italienne avec une couronne de laurier (Head of an Italian girl with a laurel wreath) (1872)

William Bouguereau (French, 1825–1905)

A young Italian girl gazes softly, her dark hair crowned with delicate laurel leaves. The wreath rests lightly, its green against her warm skin. There’s a quiet pride in her eyes, a stillness that holds the viewer. The light catches the curve of her cheek, the folds of her simple garment.
Figure under a blossoming tree (1904 – 1905)

Odilon Redon (French, 1840–1916)

A lone figure stands beneath a tree heavy with blossoms, its branches dissolving into soft smudges of color. The air hums with quiet mystery—neither day nor night, dream nor reality. Petals seem to hover between falling and floating upward, caught in some unseen current.
The Sole (Solea lunata & c) (1731-1743)

Mark Catesby (English, 1683–1749)

A flat, sand-colored fish lies still against the ocean floor, its mottled skin blending seamlessly with the grains beneath. Delicate fins taper like whispers into the water. The muted palette belies the precision in each scale—a masterclass in camouflage, painted with the patience of a predator waiting.
Winter Landscape (1940)

Horace Pippin (American, 1888–1946)

Bare branches claw at a pale sky. Snow blankets the ground, thick and undisturbed, swallowing sound. A lone path cuts through the stillness, its edges blurred by cold. The air feels heavy, waiting. Something lingers just beyond the trees—a presence, or perhaps the memory of one.
Printemps Rose (1908)

Henri-Edmond Cross (French, 1856–1910)

Pink light spills through budding branches, softening the landscape into a dream. Spring air hums with warmth, blurring the line between earth and sky. Every brushstroke pulses with life, as if the scene might dissolve into pure color at any moment.
Woman at a Window (1880 – 1911)

Jozef Israëls (Dutch, 1824–1911)

A woman stands by the window, her silhouette framed against the light. The room feels still, heavy with quiet. Her gaze lingers somewhere beyond the glass, lost in thought or memory. The ordinary moment holds something unspoken, a tension between the warmth inside and the world waiting outside.