Explore Artworks

  • The Sensitive Plant

    The Sensitive Plant

    Frank Dicksee (English, 1853–1928)

    A delicate hand hovers near the leaves, fingertips barely grazing the foliage. The plant seems to recoil, its petals trembling—alive, responsive. Shadows pool around this quiet exchange, where human touch meets nature’s shy withdrawal. Something unspoken lingers in the air between them.

  • Atlas państwa zwierzęcego Pl.54 (1905)

    Atlas państwa zwierzęcego Pl.54 (1905)

    Kurt Lampert (German, unknown)

    A meticulous grid of creatures—each line precise, each form alive. Beetles, birds, and serpents crowd the page, their details sharp as if caught mid-motion. Science and art collide in this ordered menagerie, where every specimen demands a closer look.

  • Manuela (1884)

    Manuela (1884)

    Conrad Kiesel (German, 1846–1921)

    A young woman gazes past the viewer, her delicate features bathed in soft light. The intricate lace of her dress contrasts with the warm glow of her skin, hinting at a quiet moment of reflection. There’s an unspoken story in her poised stillness, just beyond reach.

  • The secret

    The secret

    Eleanor Fortescue-Brickdale (English, 1872–1945)

    A woman leans close, whispering into another’s ear. The listener’s eyes widen—caught between shock and delight. Rich fabrics drape around them, the air thick with unspoken tension. What words passed between them? The secret lingers, just beyond reach.

  • Pleuronectes Argus, The Argus-Flounder. (1785-1797) (1)

    Pleuronectes Argus, The Argus-Flounder. (1785-1797) (1)

    Marcus Elieser Bloch (German, 1723–1799)

    The flounder lies flat against the seabed, its mottled skin blending with sand. One eye has migrated to the upper side, giving it an asymmetrical gaze. Delicate engravings trace each scale, revealing how this odd fish hides in plain sight.

  • A Girl

    A Girl

    Frederic Leighton (English, 1830–1896)

    A young woman gazes past the viewer, her expression unreadable. The soft folds of her dress catch the light, hinting at movement frozen in time. There’s something both intimate and distant in her posture—like a thought half-formed, or a secret just out of reach.

  • Reverie (1872)

    Reverie (1872)

    Winslow Homer (American, 1836–1910)

    A woman sits alone in tall grass, lost in thought. The breeze stirs her dress as sunlight filters through the trees. Her distant gaze suggests a private moment, suspended between memory and possibility. The scene holds quiet tension—something unspoken lingers in the air around her still figure.

  • Madonna And Child

    Madonna And Child

    Francisco de Zurbarán (Spanish, 1598–1664)

    A young mother cradles her child, their faces softly lit against the dark. The infant’s tiny hand rests on hers—tender, yet weighted with quiet solemnity. Gold fabric drapes around them, rich folds framing this quiet moment between two figures bound by love and destiny.

  • Les Agneaux (1897)

    Les Agneaux (1897)

    William Bouguereau (French, 1825–1905)

    Two lambs nuzzle close, their wool glowing in soft light. A shepherd’s staff leans nearby, hinting at unseen care. The scene hums with quiet devotion, a moment suspended between earth and something beyond.

  • Self-Portrait (1659)

    Self-Portrait (1659)

    Rembrandt van Rijn (Dutch, 1606–1669)

    A man stares from the shadows, his face lined with time. Light catches his furrowed brow, the heavy gaze holding something unspoken. The dark cloak swallows his shoulders, but those eyes—sharp, weary—refuse to look away.

  • Unidentified Fish (3)

    Unidentified Fish (3)

    Luigi Balugani (Italian, 1737–1770)

    A slender fish glides through blank space, its scales rendered in delicate watercolor—pale gold fading to translucent silver. The precise lines suggest scientific scrutiny, yet the creature seems to hover between study and dream. No habitat, no shadows; just this unnamed being, suspended in quiet examination.

  • Anthias Diagramma, The Warna. (1785-1797) (1)

    Anthias Diagramma, The Warna. (1785-1797) (1)

    Marcus Elieser Bloch (German, 1723–1799)

    A delicate fish, its scales shimmering in precise engraved lines, hovers against blank paper—caught mid-swim yet frozen, every fin and gill rendered with scientific clarity. The ocean is absent, but the creature pulses with life.

  • Lepiota amianthina, Lepiota cristata (1915-1945)

    Lepiota amianthina, Lepiota cristata (1915-1945)

    Hans Walty (Swiss, 1868-1948)

    Delicate gills fan out beneath speckled caps, their paper-thin edges curling slightly. Two fungi stand side by side—one pale with a cracked surface, the other darker, its stem ringed like a collar. Every line traces their fragile forms, as if they might crumble at a touch.

  • Ostracion Cornutus, The Horn-fish. (1785-1797)

    Ostracion Cornutus, The Horn-fish. (1785-1797)

    Marcus Elieser Bloch (German, 1723–1799)

    A horned fish floats mid-page, its armored body etched in precise lines. Spines jut from its boxy frame, delicate fins splayed like lace. The engraving freezes this odd creature between science and art—part specimen, part phantom from the deep.

  • Spring

    Spring

    Joseph Rubens Powell (English, 1860–1926)

    New life bursts through the canvas—tender greens, blossoms unfurling. The air hums with warmth, earth softening underfoot. A season waking, restless and bright.