Vincent van Gogh’s Self-Portrait (1887) captures the artist in a moment of quiet intensity, his piercing gaze meeting the viewer with raw honesty. Thick, swirling brushstrokes define his gaunt face and fiery red beard, while the muted blue-green background seems to pulse with restless energy. The painting reveals van Gogh’s fascination with color contrasts—warm oranges and yellows clash with cooler tones, mirroring the inner turbulence that fueled his art. This wasn’t just a study of appearance; it was a psychological excavation, each stroke exposing vulnerability and defiance in equal measure.
Look closer, and you’ll spot the subtle asymmetry in his eyes—one slightly larger, more searching than the other. The palette leans toward the somber earth tones of his early Paris period, yet flickers of impasto brightness hint at the explosive style to come. Van Gogh painted over 30 self-portraits, not from vanity but necessity, using his own face as a laboratory for experimentation. Here, he strips away any romanticism, presenting himself as a working artist: sleeves rolled up, collar slightly askew, wholly absorbed in the act of creation.