German Botanical Engraving Art Collection | Perfect for Wall Art, Prints - Page 3 of 14

Fauna japonica Pl.161 (1833-1850)

Philipp Franz Balthasar von Siebold (German, 1796–1866)

Delicate engravings reveal Japan’s wildlife with scientific precision—each feather, scale, and leaf meticulously rendered. A rare glimpse into an ecosystem preserved through ink and paper.
Fauna japonica Pl.057 (1833-1850)

Philipp Franz Balthasar von Siebold (German, 1796–1866)

Delicate wings unfold against crisp paper—a Japanese insect preserved in ink, each vein and segment rendered with scientific precision. The creature seems poised to take flight from its page, frozen mid-motion between study and specimen.
Atlas państwa zwierzęcego Pl.78 (1905)

Kurt Lampert (German, unknown)

A meticulous grid of creatures—each line precise, each form distinct. The engraving arranges the animal kingdom into orderly rows, transforming wildness into a catalog of sharp contrasts and delicate details. Life pinned to the page, yet bristling with unseen movement.
White horse (1909)

Hans Kohlschein (German, 1879–1948)

A white horse stands poised, muscles taut beneath its coat. The fine lines of the engraving trace every sinew, the animal’s quiet power frozen in black and white. No background distracts—just the creature, alive on the page.
Exotische schmetterlinge Pl.016 (1888-1892)

Otto Staudinger (German, 1830–1900)

Delicate wings unfurl in precise lines, each vein and pattern etched with scientific clarity. These butterflies hover between specimen and art, their exotic forms preserved in ink. The page hums with silent flight, a meticulous record of fleeting beauty frozen mid-beat.
Pleuronectes Argus, The Argus-Flounder. (1785-1797)

Marcus Elieser Bloch (German, 1723–1799)

The flounder lies flat, its mottled skin mimicking sand. One eye has migrated, both now staring upward—a silent hunter waiting beneath the seabed. The engraving traces each irregular spot, as if the fish might blink and vanish into the ocean floor.
Pholiota mutabilis, Pholiota marginata (1915-1945)

Hans Walty (Swiss, 1868-1948)

Delicate gills fan beneath tawny caps, their edges curling like parchment. Two mushrooms stand rooted in damp earth—one golden-brown with a scaly stem, the other paler, its margin darkening as if dipped in ink. The fine lines trace every rib and shadow, revealing nature’s quiet precision.
Morchella deliciosa (1915-1945)

Hans Walty (Swiss, 1868-1948)

Delicate ridges spiral up the Morchella deliciosa’s honeycombed cap, each hollow catching the light. This fungus isn’t just edible—it’s a labyrinth of flavor, its curves hiding earthy depths beneath that pale, pitted surface. One bite unravels centuries of foraging lore.
Saddled Chestnut in the Stable

Emil Volkers (German, 1831–1905)

A chestnut horse stands in the stable, its coat gleaming under dim light. The saddle rests loosely on its back, straps dangling—recently ridden or ready to go. Hay scents the air. There’s patience in its stance, a quiet readiness. The stall surrounds it like a second skin.