Impressionism Art Collection | Perfect for Wall Art, Prints - Page 2 of 16

Rue de Jouy le Comte (probably 1880)

Auguste Louis Lepère (French, 1849–1918)

Dappled sunlight filters through the trees onto a quiet country road. The loose brushstrokes suggest a breeze rustling through the leaves, while the muted greens and earthy tones evoke the warmth of a rural afternoon. A simple path invites you to wander deeper into the scene.
Henry Clay and Helen Frick (c. 1910)

Edmund Charles Tarbell (American, 1862–1938)

A young girl in white leans against a man’s knee, her hand resting lightly on his. Sunlight spills across the floor, softening the quiet exchange between them—a fleeting, unguarded moment of trust and tenderness. The room hums with warmth, the air thick with unspoken affection.
Summer evening (1916)

Edward Cucuel (American, 1875–1954)

Golden light filters through the trees, casting dappled shadows on the figures lounging by the water. Laughter lingers in the warm air as the day softens into dusk. A breeze rustles the leaves, carrying the scent of grass and the quiet murmur of conversation. Summer lingers, lazy and bright.
Dreamland,

Alice Pike Barney (American, 1857–1931)

A woman gazes into the distance, bathed in soft light. Her expression lingers between thought and daydream, the brushstrokes blurring reality like a half-remembered reverie. The colors melt together—whispered pinks, muted greens—as if the scene might dissolve upon waking.
On The Beach

Charles Atamian (French, 1872–1947)

Waves lick the shore, dissolving into foam. Sunlight dances on wet sand, blurring the line between sea and land. A breeze carries salt and warmth. The scene hums with lazy energy—a summer afternoon suspended in brushstrokes.
The Monet Family in Their Garden at Argenteuil (1874)

Édouard Manet (French, 1832–1883)

Sunlight dapples through the trees as a family gathers in their lush garden. The woman’s white dress glows against the greenery while a child plays nearby. Loose brushstrokes blur the line between domestic tranquility and nature’s wildness—a fleeting afternoon where cultivated order meets untamed growth.
Morning Walk (1888)

John Singer Sargent (American, 1856-1925)

A woman strides through dappled sunlight, her skirt brushing dew-laden grass. The air hums with dawn’s quiet energy—crushed petals, damp earth, the whisper of fabric against motion. She moves with purpose, yet the path ahead remains soft, undefined, swallowed by golden haze.
Le Canal Du Loing À Saint-Mammès (1885)

Alfred Sisley (French, 1839–1899)

Sunlight dances on the canal’s ripples, softening the edges of moored boats. Trees lean lazily over the water, their reflections blurring into the current. A quiet stretch of France, alive with shifting colors—no grand drama, just the river’s gentle rhythm and the play of light on an ordinary afternoon.
Portrait of Eugenia Alexandra Rubtsov, mother of the painter Rubtsov (1910)

Jan Ciągliński (Polish, 1858–1913)

A woman gazes past the frame, her face softly lit with quiet dignity. Loose brushstrokes blur the edges of her dark dress, letting warmth seep into the background. There’s weight in her stillness—not posed, but paused, as if she might sigh and turn away any moment.