Impressionism Art Collection | Perfect for Wall Art, Prints - Page 6 of 16

Jardin et poulailler chez Octave Mirbeau, Les Damps (1892)

Camille Pissarro (French, 1830–1903)

Sunlight dapples the garden path, weaving through leaves to settle on the chicken coop. Brushstrokes blur the line between earth and sky, turning a quiet corner of the countryside into something alive. The scene hums with ordinary magic—feathers, foliage, and the warm hush of midday.
Altaussee

Tina Blau (Austrian, 1845–1916)

Sunlight dances on the lake’s surface, rippling between shadows of the Austrian hills. Loose brushstrokes blur the line between water and sky, as if the landscape itself is breathing. A quiet energy hums beneath the stillness—nature caught mid-murmur.
A Fair Spaniard, Mrs Chowne (1909)

Sir John Lavery (Irish, 1856–1941)

A woman in a black lace mantilla gazes past the viewer, her dark eyes holding secrets. The fan in her hand pauses mid-flutter, as if catching a breath between whispers. Warm light dances across her face, contrasting the rich folds of her dress—a fleeting moment of quiet intensity.
Reading in the Garden (1921)

Frederick Carl Frieseke (American, 1874–1939)

Sunlight dapples through the leaves, pooling on her white dress as she turns a page. The garden hums around her—lush greens, the weight of summer air. She’s half-lost in the book, half in the warmth, a quiet pause where time blurs.
A Game of Croquet (1873)

Édouard Manet (French, 1832–1883)

Laughter drifts across the lawn as wooden mallets strike painted balls. Sunlight dapples through the trees, catching the crisp whites of summer dresses. A paused moment—the next swing could send the game spinning in any direction. The grass still holds the afternoon’s warmth beneath their feet.
Rose and blue (1913)

William McGregor Paxton (American, 1869–1941)

A woman in a flowing blue dress leans against a chair, bathed in soft light. The delicate rose in her hand mirrors the blush on her cheeks, while the muted interior melts into brushstrokes around her. There’s a quiet tension between her poised elegance and the loose, vibrant strokes framing her.
Lady with a Bouquet (Snowballs) (1890)

Charles Courtney Curran (American, 1861–1942)

A woman in white holds a bouquet of snowball flowers, their round clusters soft against her dress. Sunlight filters through, catching the delicate petals and the folds of her sleeves. There’s a quiet grace in the way she stands, as if pausing mid-breath, surrounded by blossoms and warmth.
Peace, Fort Hamilton (c.1888)

William Merritt Chase (American, 1849–1916)

Sunlight glows through the trees at Fort Hamilton, softening the shoreline. Brushstrokes blur land and water into quiet harmony—a moment where stillness settles over the landscape like mist. No grand drama, just the hush of grass meeting tide, and the peace that lingers there.
The Main Customs Office with a View of the Kaiser Franz Josef Barracks (1883)

Tina Blau (Austrian, 1845–1916)

Sunlight glints off the customs office walls, softening the rigid lines of the barracks beyond. A quiet bustle lingers in the air—horses, carts, officials moving through the scene with unstudied ease. The ordinary hum of a workday, caught in loose, lively brushstrokes.