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Artwork Story
John Singer Sargent’s ‘Bay of Uri, Brunnen’ captures the serene beauty of Switzerland’s Lake Uri with a masterful blend of light and texture. The painting glows with soft reflections on the water, where distant mountains dissolve into hazy blues and greens. A lone boat drifts near the shore, its presence adding a quiet sense of movement to the otherwise still scene. Sargent’s loose brushstrokes give the impression of a fleeting moment, as if the landscape might shift with the next breeze. There’s something almost musical in the way the colors harmonize—deep emerald shadows against pale gold sunlight.
Painted during Sargent’s travels through Europe, this work reveals his fascination with natural light and atmospheric effects. Unlike his more formal portraits, here he embraces spontaneity, letting the water and sky merge in fluid strokes. The composition feels alive, as though the viewer is standing at the lake’s edge, feeling the cool air. It’s a glimpse into the artist’s private world, where nature isn’t just observed but deeply felt. The painting doesn’t shout for attention; instead, it whispers, drawing you closer to its quiet, luminous depths.
John Singer Sargent (1856-1925), American, was an expatriate artist, celebrated as one of the greatest portrait painters of his time. Although born in Florence, Italy, to American parents, Sargent spent most of his life in Europe, and his work reflects a sophisticated international perspective. From a young age, Sargent showed extraordinary artistic talent. He studied at the École des Beaux-Arts in Paris under the guidance of Carolus-Duran, whose teachings encouraged confident, expressive brushwork. Sargent quickly developed a signature style that combined technical precision with bold, fluid strokes. A defining moment in his career came in 1884 when he exhibited Portrait of Madame X at the Paris Salon. Intended to showcase his brilliance, the painting caused a scandal due to its suggestive pose and daring attire. The backlash damaged his reputation in Paris, prompting him to relocate to London. In London, Sargent rebuilt his career with remarkable resilience. His portraits of British aristocrats, American elites, and artistic celebrities were lauded for capturing not only physical likeness but also psychological depth. He became the most sought-after portraitist in both Europe and the United States. Despite this success, Sargent eventually grew tired of portrait commissions. He once declared, “No more mugs!” In his later years, he turned his focus to landscapes and watercolors, traveling widely to Venice, the Alps, and the Middle East. These works revealed a more relaxed and impressionistic side of his artistry. Sargent died in London in 1925, leaving behind a legacy of over 900 oil paintings and 2,000 watercolors. His work continues to inspire artists and audiences alike, admired for its brilliance, elegance, and psychological insight.