Natural History Art Collection | Perfect for Wall Art, Prints - Page 25 of 41

Great Barrier Reef Echinoderms (1893)

William Saville-Kent (English, 1841–1908)

Delicate sea stars sprawl across the ocean floor, their spiny arms glowing against the reef’s shadows. Brittle stars twist like living lace, while a feather star’s tendrils drift in unseen currents—each creature a small marvel in the Great Barrier Reef’s hidden world.
A synopsis of the birds of Australia, and the adjacent Islands Pl.43 (1837-1838)

Elizabeth Gould (English, 1804–1841)

A vibrant kingfisher perches on a branch, its cobalt wings stark against the muted greens. Nearby, a smaller bird tilts its head, as if listening. The detailed plumage suggests a careful study of life in motion, frozen mid-breath between flight and stillness.
Geftambte rose (1692)

Magdelena Rosina Funck (German, unknown)

A single rose, meticulously etched, its petals unfurling with delicate precision. Thorns and leaves curl in sharp contrast to the soft bloom, each line capturing the tension between fragility and resilience. The engraving breathes life into paper, turning botany into quiet drama.
Bodianus guttatus, The Jen-fish. (1785-1797)

Marcus Elieser Bloch (German, 1723–1799)

The Jen-fish glides across the page, its spotted flank etched with precision. Delicate gills flare, fins splay like lace—an underwater dance frozen in ink. Every scale catches the light, a silent testament to life beneath the waves.
Insecta Coleoptera Pl 018 (1879-1915)

Frederick DuCane Godman (English, 1834–1919)

A beetle’s iridescent shell gleams under scrutiny, each ridge and curve meticulously traced. The precision transforms a common insect into something extraordinary—a tiny armored marvel frozen in ink.
Atlas państwa zwierzęcego Pl.25 (1905)

Kurt Lampert (German, unknown)

A meticulous engraving of the animal kingdom, each line precise as a scientist’s sketch. Creatures frozen in stark detail, their forms both familiar and strange, as if pulled from the pages of a forgotten field guide. The paper hums with silent life.
Kalkved. (Viburnum) (1816 – 1875)

P. C. Skovgaard (Danish, unknown)

Delicate viburnum branches stretch across the page, their leaves and berries rendered with precise, inky lines. Each vein and stem is etched with scientific clarity, yet the composition breathes with quiet vitality—a meticulous study that transcends mere documentation.
Poissons, ecrevisses et crabes, de diverses couleurs et figures extraordinaires.. Pl.048 (1718-1719)

Louis Renard (French, 1678–1746)

Vibrant fish dart between spindly crabs and crayfish with exaggerated claws. The creatures twist in unnatural hues—crimson, gold, and electric blue—as if plucked from a fever dream of the sea. Every scale and pincer bends reality, turning the ocean’s depths into a kaleidoscope.
The Sole (Solea lunata & c) (1731-1743)

Mark Catesby (English, 1683–1749)

A flat, sand-colored fish lies still against the ocean floor, its mottled skin blending seamlessly with the grains beneath. Delicate fins taper like whispers into the water. The muted palette belies the precision in each scale—a masterclass in camouflage, painted with the patience of a predator waiting.