Pre-Raphaelite

Medieval purity meets Victorian intensity. Each petal, each curl of hair—a devotional act against industrial vulgarity.

  • Miranda

    Miranda

    John William Waterhouse (British, 1849-1917)

    Miranda stands at the water’s edge, her gaze lost in the storm’s fury. The waves churn, her dress clinging to her as if the sea itself reaches for her. There’s longing in her stillness—a woman caught between the tempest and the shore, between myth and the moment.

  • The secret

    The secret

    Eleanor Fortescue-Brickdale (English, 1872–1945)

    A woman leans close, whispering into another’s ear. The listener’s eyes widen—caught between shock and delight. Rich fabrics drape around them, the air thick with unspoken tension. What words passed between them? The secret lingers, just beyond reach.

  • The Salutation Of Beatrice (1869)

    The Salutation Of Beatrice (1869)

    Dante Gabriel Rossetti (English, 1828–1882)

    Beatrice’s gaze meets Dante’s across a sunlit street—her hand lifts, poised between greeting and farewell. The air hums with unspoken words, a moment suspended between devotion and longing. Gold threads her gown, light catches her sleeve. A silent exchange, heavy with what could have been.

  • Lamia (1905)

    Lamia (1905)

    John William Waterhouse (British, 1849-1917)

    A woman’s serpentine form coils in shadow, her gaze both alluring and dangerous. The flicker of scales beneath her skin hints at the predator within, while her human face remains hauntingly beautiful. Myth whispers of her curse—love that consumes, beauty that betrays.

  • The Three Marys

    The Three Marys

    Sir Edward Coley Burne-Jones (English, 1833–1898)

    Three women stand close, draped in flowing robes. Their faces hold quiet sorrow, eyes downcast. The folds of fabric catch soft light as they gather near an unseen grave. A hush lingers between them, heavy with loss and something unspoken. The air feels still, waiting.

  • St Dorothy

    St Dorothy

    Sir Edward Coley Burne-Jones (English, 1833–1898)

    A young saint stands serene, her delicate hands cradling a basket of roses. The flowers spill over, their petals soft against her flowing robes. Light dances across the fabric, hinting at something divine in her quiet grace. Her gaze holds a mystery—both gentle and untouchable.

  • A young girl with a garland of flowers in her hair

    A young girl with a garland of flowers in her hair

    Sophie Anderson (English, 1987–2023)

    A girl gazes softly, her hair woven with blossoms. Petals nestle against golden strands, their delicate hues mirroring the flush in her cheeks. The flowers seem to whisper secrets only she can hear, their fragrance almost tangible in the quiet air around her. Youth and nature entwine effortlessly.

  • Miss Betty Pollock (1911)

    Miss Betty Pollock (1911)

    John William Waterhouse (British, 1849-1917)

    A young woman in a flowing blue dress gazes pensively into the distance, her delicate fingers resting lightly on a book. The soft light catches the folds of her gown, hinting at quiet contemplation. There’s an air of mystery in her half-turned pose—what thoughts linger behind those distant eyes?

  • A Vision of Fiammetta (1878)

    A Vision of Fiammetta (1878)

    Dante Gabriel Rossetti (English, 1828–1882)

    Golden light spills over Fiammetta’s bowed head, her fingers lingering at the edge of a book. The rich red of her gown pools around her like spilled wine, while her distant gaze suggests a thought half-formed, a story left untold. The air hums with quiet longing.