Religion

Infused with reverence and symbolism, our religious artworks echo centuries of faith, ritual, and transcendence. These timeless pieces are rich in narrative and spiritual depth, connecting the visible with the divine.

  • Sainte Famille (The Holy Family) (1863)

    Sainte Famille (The Holy Family) (1863)

    William Bouguereau (French, 1825–1905)

    A mother cradles her child, bathed in soft light, while a watchful figure stands nearby. The scene radiates quiet devotion, every fold of fabric and tender gesture steeped in reverence. It’s intimate yet universal—a moment of quiet strength, love, and protection frozen in paint.

  • Study For The Head Of Venus In The Awakening Of Adonis

    Study For The Head Of Venus In The Awakening Of Adonis

    John William Waterhouse (British, 1849-1917)

    Venus gazes downward, her expression caught between longing and sorrow. Loose strands frame her face as shadows play across delicate features. The study pulses with quiet intensity—a goddess’s yearning distilled into brushstrokes. Myth lingers in every curve, every half-lidded glance toward an unseen Adonis.

  • Violinist in the Belfry Window (1858)

    Violinist in the Belfry Window (1858)

    Eduard von Steinle (Austrian, 1810–1886)

    A lone violinist leans from the belfry window, bow poised above strings. The church tower frames him against an unseen sky, his music hovering between sacred and solitary. Below, empty streets wait for the notes to fall.

  • The Magdalen with the Smoking Flame (circa 1635-37)

    The Magdalen with the Smoking Flame (circa 1635-37)

    Georges de La Tour (French, unknown)

    A lone woman sits in shadow, her face lit by a single flame. The flickering light catches the curve of her skull, the folds of her robe, the stillness of her hands. A mirror lies facedown beside her. The air feels thick with quiet contemplation, the flame’s glow both intimate and isolating.

  • Madonna of the Carnation (circa 1475)

    Madonna of the Carnation (circa 1475)

    Leonardo da Vinci (Italian, 1452-1519)

    A young mother cradles her child, fingers brushing a bright carnation. The flower’s red petals echo the delicate folds of her sleeve, while the infant reaches with curious hands. Light spills across their faces, softening the quiet intimacy of the moment.

  • Virgin and Child (ca. 1485)

    Virgin and Child (ca. 1485)

    Sandro Botticelli (Italian, 1444-1510)

    Mary cradles the infant Jesus, her gaze tender yet distant. Gold leaf halos glow against soft blues, their delicate fingers almost touching. The child clutches a pomegranate—its split flesh revealing blood-red seeds. A quiet tension lingers between maternal warmth and the weight of divine destiny.

  • By Jerusalem. (1921)

    By Jerusalem. (1921)

    Anna Boberg (Swedish, unknown)

    Golden light spills over ancient stone walls, casting long shadows across the city. The air hums with quiet reverence, a timeless pause before the clamor of daily life resumes. Jerusalem stands eternal yet fleeting, caught between earth and sky.

  • The Angel of the Annunciation (c. 1330)

    The Angel of the Annunciation (c. 1330)

    Simone Martini (Italian, 1284–1344)

    Golden wings shimmer as the angel kneels, delivering divine news. Lilies bloom between them, their white petals stark against the gilded background. The Virgin’s blue robe folds in delicate ripples, her hand raised in startled grace. A moment suspended—sacred, silent, charged with unspoken words.

  • Golden Greeting

    Golden Greeting

    Sir Edward Coley Burne-Jones (English, 1833–1898)

    A golden angel descends, wings outstretched, its luminous presence filling the space. The gilded figure seems to pause mid-motion, offering a silent blessing. Light clings to every fold of its robe, every feather—radiant against the muted tones behind it. A moment both solemn and sublime.