A Young Girl Preparing Chantarelles (1892) by Peter Ilsted

  • Artwork Name
    A Young Girl Preparing Chantarelles (1892)
  • Artist
    Peter Ilsted (1861–1933), Danish
  • Dimensions
    Oil on canvas
  • Collection Source
    Statens Museum for Kunst
  • License
    Public Domain Content: Free for Personal & Commercial Use
  • 4809 x 6069 pixels, JPEG, 19.45 MB
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About the Artist

Peter Ilsted (1861–1933), Danish, A master of quiet interiors and subdued light, this Danish artist carved a niche with his meticulous depictions of domestic serenity. Often working in oils or etchings, his compositions exude a meditative stillness, balancing precise realism with an almost poetic sensitivity to atmosphere. Sunlight slants across wooden floors, gleams on copper pots, or lingers on the spine of a book—each detail rendered with a reverence for the ordinary. Though less flashy than his contemporaries, his work shares affinities with Vilhelm Hammershøi, another Dane obsessed with hushed, introspective spaces. Both artists stripped away excess, finding profundity in pared-down scenes where empty chairs or half-open doors suggest unseen presence.
Etching was a particular passion, and his technical skill earned admiration for its delicate, almost musical linework. The influence of Dutch Golden Age interiors is palpable, though his approach feels distinctly modern in its psychological weight. Later in life, he explored color more boldly, but it’s the early monochromatic pieces that resonate most—their restraint amplifying emotional depth. While not a household name internationally, his legacy endures in Scandinavian art circles, where the term "Sunshine and Silent Rooms" could easily summarize his oeuvre. Collectors cherish the way his art transforms mundane corners into vessels for contemplation.

Artwork Story

Peter Ilsted’s ‘A Young Girl Preparing Chantarelles’ captures a quiet, intimate moment as a girl carefully handles wild mushrooms, her fingers brushing against their delicate gills. Sunlight filters through a nearby window, casting soft shadows that highlight the textures of her apron and the rustic wooden table. The painting feels alive with subtle movement—the way her sleeves bunch at the elbows, the slight tilt of her head as she examines her task. Ilsted’s mastery of light transforms an ordinary kitchen scene into something almost reverent, as if the act of preparing food holds its own quiet poetry.

There’s an unspoken story here—the earthy scent of mushrooms, the faint sound of a knife against wood, the girl’s absorbed expression suggesting generations of domestic ritual. The chantarelles, golden and irregular, become characters themselves, their organic shapes contrasting with the precise folds of the girl’s clothing. Ilsted doesn’t just paint objects; he paints the weight of tradition, the uncelebrated beauty of daily labor. The composition draws you in close, making the viewer complicit in this private, timeless moment.


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