Symbolism Art Collection | Perfect for Wall Art, Prints

Madonna Mit Jesus Umgeben Von Kindern (1896)

Eduard Veith (Austrian, 1858–1925)

A golden glow surrounds the Madonna as she cradles Jesus, children pressing close in quiet devotion. Their faces tilt upward, bathed in soft light, each gaze fixed on the infant. The scene hums with quiet reverence, a moment suspended between earthly tenderness and divine grace.
Sunflowers (1883)

Gustav Klimt (Austrian, 1862–1918)

Golden petals twist upward, heavy with sunlight. The flowers lean together, their stems tangled in shadow. Yellow blooms glow against the dark, each brushstroke thick with life. There’s something restless in the way they bend—not just growing, but reaching.
Cendrillon (1904)

A. Guillon (French, unknown)

A slipper lies abandoned on the steps, its glass catching the dim light. Shadows stretch long across the stone, hinting at a vanished figure. The air hums with the echo of a clock striking midnight, leaving only this fragile trace of magic behind.
Bauerngarten mit Sonnenblumen (1906)

Gustav Klimt (Austrian, 1862–1918)

Sunflowers burst through tangled greenery, their golden heads tilting toward an unseen light. The garden hums with hidden energy—every leaf and petal vibrates with color, as if the earth itself is exhaling summer. A wild harmony of shapes pulses beneath the surface, alive and untamed.
Blühender Mohn Mohnwiese (1907)

Gustav Klimt (Austrian, 1862–1918)

A sea of red poppies sways under an unseen breeze, their petals like drops of blood against the green. The field pulses with life, each flower a flickering flame in the tall grass. No horizon, no sky—just this endless, hypnotic dance of color. You can almost hear the stems rustling.
La barbe bleue (1904)

A. Guillon (French, unknown)

A shadowed figure looms, his beard unnaturally blue. Whispers of dark deeds cling to him like the scent of old blood. The air hums with unspoken warnings—what lies behind that locked door? French folklore’s most chilling question lingers in the gloom.
Umarmung (1905)

Wilhelm List (Austrian, unknown)

Two figures melt into each other, limbs tangled like roots. The embrace feels heavy, almost desperate—a silent exchange of something unspoken. Shadows cling to their forms, blurring where one body ends and the other begins. It’s less a moment of tenderness than a merging, as if they’re trying to become a single being.
La barque aux âmes inanimées

Odilon Redon (French, 1840–1916)

A lone boat drifts through shadowed waters, carrying silent figures with hollow eyes. The air hums with something unseen—not quite alive, not quite dead. Dark ripples swallow the edges, as if the world itself hesitates to acknowledge what floats there.
Young Woman by the Water

Max Nonnenbruch (German, 1857–1922)

A woman stands by the water’s edge, her gaze distant. The surface mirrors the sky, blurring where she ends and the world begins. Something lingers in her stillness—not quite sorrow, not quite peace. The water holds its breath with her.