19th Century Art

  • Portrait of May Sartoris, Mrs Henry Evans Gordon

    Portrait of May Sartoris, Mrs Henry Evans Gordon

    Frederic Leighton (English, 1830–1896)

    May Sartoris sits poised in a flowing white gown, her gaze direct yet distant. The soft folds of fabric contrast with her steady posture, suggesting both elegance and quiet resolve. A single red flower at her waist adds a subtle touch of color to the muted palette, hinting at restrained passion beneath the composed exterior.

  • Natural History (Galerya obrazowa zwiérząt czyli Historya naturalna) Pl.48 (1839)

    Natural History (Galerya obrazowa zwiérząt czyli Historya naturalna) Pl.48 (1839)

    Anton Benedikt Reichenbach (German, 1804–1877)

    A meticulous engraving of animals, each line precise yet alive—feathers, fur, and scales rendered with scientific clarity. The creatures seem poised between specimen and spirit, frozen mid-motion as if about to step off the page.

  • Dreamland,

    Dreamland,

    Alice Pike Barney (American, 1857–1931)

    A woman gazes into the distance, bathed in soft light. Her expression lingers between thought and daydream, the brushstrokes blurring reality like a half-remembered reverie. The colors melt together—whispered pinks, muted greens—as if the scene might dissolve upon waking.

  • The Writing Master (1882)

    The Writing Master (1882)

    Thomas Eakins (American, 1844–1916)

    An elderly man leans over his desk, quill poised above paper. His face is lined with concentration, the light catching his spectacles and the careful folds of his sleeve. The quiet intensity of the moment—the poised hand, the furrowed brow—makes you wonder what words he’s about to commit to the page.

  • Madonna with child and John the Baptist (1875)

    Madonna with child and John the Baptist (1875)

    William Bouguereau (French, 1825–1905)

    The Madonna cradles her child as young John the Baptist looks on, their figures bathed in soft light. The tender moment blends divine grace with earthly warmth, the folds of fabric and gentle expressions creating an intimate scene of devotion. A quiet reverence lingers in the composition.

  • Schöne Aussicht

    Schöne Aussicht

    Robert Voelcker (German, unknown)

    A German landscape unfolds—rolling hills under a vast sky, the light shifting between clouds. The view stretches beyond the frame, inviting you to step into its quiet expanse. No grand drama, just earth and air in perfect balance.

  • Fauna japonica Pl.161 (1833-1850)

    Fauna japonica Pl.161 (1833-1850)

    Philipp Franz Balthasar von Siebold (German, 1796–1866)

    Delicate engravings reveal Japan’s wildlife with scientific precision—each feather, scale, and leaf meticulously rendered. A rare glimpse into an ecosystem preserved through ink and paper.

  • In the Conservatory (1879)

    In the Conservatory (1879)

    Édouard Manet (French, 1832–1883)

    A woman in a striped dress leans against a chair, her gaze distant. Beside her, a man in a dark suit smokes, eyes downcast. Sunlight filters through the conservatory’s glass, casting dappled shadows on their faces—an ordinary moment thick with unspoken tension.

  • Fauna japonica Pl.057 (1833-1850)

    Fauna japonica Pl.057 (1833-1850)

    Philipp Franz Balthasar von Siebold (German, 1796–1866)

    Delicate wings unfold against crisp paper—a Japanese insect preserved in ink, each vein and segment rendered with scientific precision. The creature seems poised to take flight from its page, frozen mid-motion between study and specimen.