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Mrs. Charles Frederick (Martha Rigden, died 1794)
Martha Rigden’s gaze holds steady, her lace collar delicate against the dark backdrop. There’s a quiet confidence in her posture, as if she’s just paused mid-conversation. The soft light catches the folds of her dress, hinting at a life lived beyond the frame.
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Miss Catherine Tatton (1786)
A young woman in a feathered hat gazes past the viewer, her lips hinting at amusement. The soft folds of her dress catch the light, while a single curl escapes its ribbon—an intimate touch in this poised portrait. There’s a quiet confidence in how she holds herself, as if privy to some private joke.
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Portrait of Charlotte and Sarah Carteret-Hardy (1801)
Two sisters, one dark-haired and solemn, the other fair with a playful smile, share a quiet moment. Their linked hands and contrasting expressions hint at unspoken bonds—youth poised between innocence and the weight of growing up. The rich fabrics and soft light wrap them in an intimate, fleeting harmony.
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The sweetest little beggar that e’er asked for Alms (1891)
A ragged child, eyes wide with hunger, extends a tiny hand. The plea is silent but unmistakable—coins or crusts, anything to fill the hollow belly. The street’s grime clings to their clothes, yet there’s a fragile dignity in that outstretched palm. One can almost hear the whisper: “Please.”
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Maud Muller (1882)
A young woman pauses mid-task, her sunlit face turned toward something unseen. The hayfork in her hand suggests labor, but her distant gaze hints at thoughts far beyond the field. The folds of her simple dress catch the light, blending rustic reality with quiet longing.