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A Solicitation (1878)
A woman leans forward on a marble bench, her fingers tracing the edge of an open letter. Sunlight spills across the mosaic floor, catching the folds of her draped gown. The air hums with unspoken tension—a quiet plea hangs between the words on the page and her lowered gaze.
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Pomps And Vanities (1917)
A woman draped in lavish silks gazes past the viewer, her expression unreadable. The opulence around her—gleaming jewels, rich fabrics—contrasts with something distant in her eyes. Is it weariness? Resignation? The trappings of grandeur seem to weigh heavier than they adorn.
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Porta Cumae
The ancient arch stands weathered yet defiant, its stones holding centuries of whispers. Beyond it, a sliver of light hints at landscapes unseen—what lies past this threshold remains a mystery, inviting the bold to step through.
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The Gathering
A huddle of figures in rich 19th-century dress exchange urgent whispers, their faces half-lit by candlelight. Silk rustles against velvet as postures tense—some lean in, others recoil. The air thickens with unspoken alliances and betrayals, frozen in one charged moment before the storm breaks.
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Ask me no more
A woman turns away, her draped gown catching the light as she lifts a hand in quiet refusal. The marble bench gleams cold beneath her, contrasting the warmth of her averted gaze. Something unspoken lingers in the space between her and the unseen questioner.
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Sunny Days
Sunlight spills across marble steps, warming the draped figures lounging in idle luxury. A forgotten lyre leans against a pillar as laughter lingers in the air—a fleeting Roman afternoon preserved in pigment. The scene hums with quiet indulgence, where time slows beneath the Mediterranean glow.
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Tapisserie ayant appartenu au chevalier Bayard (1838)
A knight’s tapestry, rich with threads of valor—Bayard’s legacy woven into fabric. Scenes of battle and chivalry unfold, each stitch a silent echo of history. The past lingers in its faded hues, waiting to be unraveled.
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Tapisserie ayant appartenu au chevalier Bayard 2 (1838)
A medieval tapestry, rich with threads of gold and crimson, unfolds scenes of chivalry and faith—once owned by the legendary knight Bayard. Its woven figures seem to whisper tales of honor, battle, and devotion, frozen in time yet alive with motion.
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‘einzug’ (The Arrival)
A lone rider emerges from the forest, his horse’s breath misting in the cold air. Sunlight breaks through the trees, glinting off armor and damp leaves. The quiet tension of an approaching moment hangs in the stillness—something is about to change.