Impressionism

  • Peupliers au bord de l’Epte, automne (1891)

    Peupliers au bord de l’Epte, automne (1891)

    Claude Monet (French, 1840–1926)

    A vibrant autumn scene where poplars and reflections merge in a haze of golden light and watery blues.

  • Antibes, Le Fort (1888)

    Antibes, Le Fort (1888)

    Claude Monet (French, 1840–1926)

    A sunlit Mediterranean scene where light dances on water and ancient stone, blending structure with the fleeting beauty of nature.

  • Church at Old Lyme, Connecticut  (1905)

    Church at Old Lyme, Connecticut (1905)

    Childe Hassam (American, 1859–1935)

    A sunlit New England church, rendered with vibrant brushwork, embodies quiet harmony between architecture and nature.

  • Idle Hours (circa 1894)

    Idle Hours (circa 1894)

    William Merritt Chase (American, 1849–1916)

    A sunlit scene of leisurely figures by the water, where light and stillness blur into quiet poetry.

  • On the Shores of Loing (1896)

    On the Shores of Loing (1896)

    Alfred Sisley (French, 1839–1899)

    A tranquil riverside scene where light and water merge in quiet harmony, inviting quiet reflection.

  • Water Lily Pond (1917-19)

    Water Lily Pond (1917-19)

    Claude Monet (French, 1840–1926)

    A tranquil pond of water lilies and reflections, where light and color dissolve into an almost abstract dreamscape.

  • Venice, Punta dei Giardini

    Venice, Punta dei Giardini

    Italico Brass (Italian, 1870–1943)

    A tranquil Venetian scene where light and water merge, capturing the quiet magic of a hidden corner.

  • Waterloo Bridge, soleil voilé (1899-1903)

    Waterloo Bridge, soleil voilé (1899-1903)

    Claude Monet (French, 1840–1926)

    A misty impression of Waterloo Bridge, where sunlight and fog dissolve the city into soft, shimmering brushstrokes.

  • Houses of Parliament, London (1900)

    Houses of Parliament, London (1900)

    Claude Monet (French, 1840–1926)

    A ghostly silhouette of Parliament emerges from London’s mist, where light dissolves architecture into fleeting color.