Impressionism

  • Poplars on the Epte (1891)

    Poplars on the Epte (1891)

    Claude Monet (French, 1840–1926)

    A serene riverside scene where poplar trees dance in the light, their reflections blending with the water in a haze of color.

  • Meadow (1875)

    Meadow (1875)

    Alfred Sisley (French, 1839–1899)

    A serene Impressionist landscape where light dances across wild grasses, revealing beauty in the ordinary.

  • Haystacks (1885)

    Haystacks (1885)

    Claude Monet (French, 1840–1926)

    Golden haystacks glow under shifting light, transforming a simple field into a study of color and atmosphere.

  • Vineyards at Auvers (1890)

    Vineyards at Auvers (1890)

    Vincent van Gogh (Dutch, 1853–1890)

    A vibrant, turbulent landscape where van Gogh’s brushstrokes turn vineyards into a living, breathing force.

  • In Glen Falloch

    In Glen Falloch

    David Bates (English, 1952–)

    A dynamic portrayal of the Scottish Highlands, where bold brushwork and shifting light evoke the untamed spirit of Glen Falloch.

  • Nymphéas (fragment) (circa 1912)

    Nymphéas (fragment) (circa 1912)

    Claude Monet (French, 1840–1926)

    A luminous fragment of Monet’s water lilies, where reflections and reality dissolve into vibrant brushstrokes.

  • The Red Kerchief (c. 1868–73)

    The Red Kerchief (c. 1868–73)

    Claude Monet (French, 1840–1926)

    A woman in a red kerchief moves past a frosted window, her figure blurred yet vivid against the winter light.

  • Marjorie and Little Edmund (1928)

    Marjorie and Little Edmund (1928)

    Edmund Charles Tarbell (American, 1862–1938)

    A tender portrayal of familial warmth, bathed in soft light and delicate brushwork.

  • Bords De La Seine En Automne (1876)

    Bords De La Seine En Automne (1876)

    Claude Monet (French, 1840–1926)

    A serene riverside scene where autumn colors melt into the Seine’s reflections, alive with Monet’s loose, luminous brushwork.