Mythology

  • Witch’s Tree

    Witch’s Tree

    Sir Edward Coley Burne-Jones (English, 1833–1898)

    A gnarled tree twists skyward, its branches clawing at the air. Beneath its shadow, a witch lingers—her presence both ominous and magnetic. The scene hums with quiet power, where myth and nature entwine in uneasy harmony. Something ancient stirs here, just beyond sight.

  • Au Jardin des Hespérides (Garden of Hesperides) (1913)

    Au Jardin des Hespérides (Garden of Hesperides) (1913)

    George Barbier (French, 1882–1932)

    Golden apples glow among twisting branches, guarded by nymphs draped in flowing silks. The air hums with myth—a paradise where time lingers, lush and forbidden. Every leaf seems to whisper secrets of the gods.

  • Orpheus And Eurydice (1864)

    Orpheus And Eurydice (1864)

    Frederic Leighton (English, 1830–1896)

    Orpheus turns—just once—to see Eurydice’s face. His fingers brush hers as she fades back into shadows, her form dissolving like mist. The moment hangs between them: love’s last breath before the underworld reclaims her. A single glance undoes everything.

  • The Archer

    The Archer

    Max Nonnenbruch (German, 1857–1922)

    A lone archer draws his bow, poised between myth and reality. The tension in his stance speaks of unseen targets, of battles beyond the frame. Shadows cling to his form like whispers of forgotten legends.

  • Pandora (ca. 1914)

    Pandora (ca. 1914)

    Odilon Redon (French, 1840–1916)

    A woman emerges from swirling darkness, her pale form cradling a glowing vessel. Shadows cling to her limbs like smoke, while the box in her hands pulses with eerie light—both gift and curse in one. The air hums with unspoken myth, that moment before revelation cracks the world open.

  • Study For The Head Of Venus In The Awakening Of Adonis

    Study For The Head Of Venus In The Awakening Of Adonis

    John William Waterhouse (British, 1849-1917)

    Venus gazes downward, her expression caught between longing and sorrow. Loose strands frame her face as shadows play across delicate features. The study pulses with quiet intensity—a goddess’s yearning distilled into brushstrokes. Myth lingers in every curve, every half-lidded glance toward an unseen Adonis.

  • Calypso Island (1897)

    Calypso Island (1897)

    Herbert James Draper (English, 1863–1920)

    A lone woman stands on jagged rocks, her gown rippling like the restless sea. Waves crash below as she gazes beyond the horizon—neither welcoming nor wary, but utterly untamed. The ocean’s salt hangs in the air, and for a moment, you wonder if she’ll step forward or dissolve into the spray.

  • The Return Of Persephone (1891)

    The Return Of Persephone (1891)

    Frederic Leighton (English, 1830–1896)

    Persephone emerges from the underworld, her pale gown catching the dim light. Demeter reaches toward her, fingers trembling—six pomegranate seeds still lingering on the girl’s tongue. The earth holds its breath between winter and spring.

  • The Gilded Apple (1899)

    The Gilded Apple (1899)

    Eleanor Fortescue-Brickdale (English, 1872–1945)

    A golden apple gleams in shadowed hands, its burnished surface catching the light like forbidden knowledge. The air hums with unspoken myth—temptation, discord, destiny cradled in a single gilded curve.