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portrait

  • Man in Oriental Costume (The Noble Slav) (1632)

    Man in Oriental Costume (The Noble Slav) (1632)

    Rembrandt van Rijn (Dutch, 1606–1669)

    A mysterious figure in opulent Eastern attire emerges from darkness, his expression blending pride and melancholy.

  • Titus in a Monk’s Habit (1660)

    Titus in a Monk’s Habit (1660)

    Rembrandt van Rijn (Dutch, 1606–1669)

    A tender portrait of a boy in monastic garb, bathed in Rembrandt’s signature interplay of light and shadow.

  • Portrait Of Mrs. Blair

    Portrait Of Mrs. Blair

    Sir Henry Raeburn (English, 1756–1823)

    A luminous portrait capturing quiet elegance, where light and shadow breathe life into the subject’s poised grace.

  • Two Musician Girls

    Two Musician Girls

    Osman Hamdi Bey (Turkish, 1842–1910)

    A vibrant portrayal of two young musicians lost in their craft, their connection painted with warmth and motion.

  • Portrait Of Millicent Leveson-Gower, Duchess Of Sutherland (1867-1955) (1904)

    Portrait Of Millicent Leveson-Gower, Duchess Of Sutherland (1867-1955) (1904)

    John Singer Sargent (American, 1856-1925)

    A luminous portrait blending grandeur and intimacy, capturing the duchess’s elegance and quiet strength through Sargent’s masterful brushwork.

  • Paul Verlaine dans un paysage hivernal (1886-1896)

    Paul Verlaine dans un paysage hivernal (1886-1896)

    Frédéric Auguste Cazals (French, 1865–1941)

    A solitary figure wanders through a winter landscape, where the chill in the air seems to echo the quiet weight of thought.

  • King Philip II of Spain (1545-1556)

    King Philip II of Spain (1545-1556)

    Titian (Italian, c. 1488-1576)

    Titian’s portrait of Philip II blends royal formality with subtle realism and presence.

  • Flora (1517)

    Flora (1517)

    Titian (Italian, c. 1488-1576)

    Titian’s ‘Flora’ from 1517 beautifully captures the goddess of spring in a graceful and colorful composition, symbolizing fertility and nature’s abundance.

  • Madame X (Madame Pierre Gautreau) (1884)

    Madame X (Madame Pierre Gautreau) (1884)

    John Singer Sargent (American, 1856-1925)

    How a Little Black Dress Scandalized Paris?Dubbed the “American Mona Lisa,” the painting’s stark contrast of pale skin against dark velvet symbolizes both aristocratic allure and societal rebellion.