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Portrait Of An Elegant Lady
A woman gazes past the viewer, her dark eyes holding quiet confidence. The rich folds of her dress catch the light, framing her poised silhouette against a muted background. There’s an unspoken story in her slight smile and the delicate tilt of her head—grace with a hint of mystery.
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Self-Portrait with a Straw Hat (1887)
A man in a straw hat stares back, his face rough with brushstrokes. The hat’s brim casts a shadow, but his eyes pierce through—intense, restless. The background swirls with muted greens and blues, as if the air itself trembles around him. There’s no peace here, only a quiet, coiled energy.
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Portrait of An Elegant Lady (1901)
A woman gazes past the viewer, her dark eyes holding quiet confidence. The rich folds of her gown cascade in deep crimson, contrasting with the delicate lace at her throat. There’s an unspoken grace in her posture—neither stiff nor casual, but effortlessly poised.
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Madame R. (ca. 1912)
A woman gazes past the viewer, her face softly lit against a dark background. Loose brushstrokes suggest the folds of her dress, while her poised expression hints at quiet confidence. The portrait balances intimacy with mystery, leaving her thoughts just out of reach.
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Pontus Fürstenberg (1898)
A man leans forward, his sharp gaze and confident posture framed by a dark coat. The brushstrokes capture his quiet authority, the light catching his face with striking clarity. There’s an unspoken intensity in the way he holds himself—like a conversation paused mid-sentence.
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La Carmencita (1890)
A woman in a black dress holds a fan, her stance poised yet alive. The fabric swirls around her, dark and fluid, while her gaze meets the viewer with quiet confidence. The fan, half-opened, hints at motion frozen in time—a breath before the next graceful movement.
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Elizabeth,Countess of Effingham (c. 1797)
Elizabeth, Countess of Effingham gazes past the viewer, her ermine-trimmed robe cascading in rich folds. The pale glow of pearls at her throat contrasts with the dark, severe elegance of her attire—a noblewoman caught between regal poise and private contemplation.
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Une petite fille (1886)
A barefoot girl in a white dress stands against a dark background, her delicate fingers clutching a sprig of wildflowers. The soft light caresses her youthful face, capturing an innocence both tender and fleeting. Her gaze, direct yet dreamy, holds something unspoken.
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Portrait of the Humanist Giovanni Paolo Cornaro (1561)
A Venetian nobleman gazes from the shadows, his fur-lined robe rich against the dark. Intelligence lingers in his steady eyes, a scholar’s quiet confidence. The light catches his ring—a flash of gold—hinting at influence beyond the frame.