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Madonna of Humility, The Blessing Christ, Two Angels, and a Donor (obverse) (c. 1380-1390)
A golden-haloed Madonna sits low on the ground, cradling her child as two angels hover above. The infant Christ raises his hand in blessing over a kneeling donor, their quiet devotion framed by rich blues and intricate gold leaf. The scene hums with quiet reverence, earthly and divine meeting in tender proximity.
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Madonna Mit Jesus Umgeben Von Kindern (1896)
A golden glow surrounds the Madonna as she cradles Jesus, children pressing close in quiet devotion. Their faces tilt upward, bathed in soft light, each gaze fixed on the infant. The scene hums with quiet reverence, a moment suspended between earthly tenderness and divine grace.
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The Annunciation (1828)
A golden light spills through the window as the angel kneels, wings still trembling from flight. Mary’s hands hover between surprise and acceptance, the air thick with unspoken prophecy. The moment hangs suspended—divine interruption in an ordinary room.
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Remembrance
A woman kneels in quiet devotion, her hands clasped tight. The folds of her robe catch the dim light, shadows pooling around her like whispers of prayer. There’s weight in her stillness—something sacred, unspoken. The air feels thick with memory, as if the past lingers just beyond the frame.
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Les Agneaux (1897)
Two lambs nuzzle close, their wool glowing in soft light. A shepherd’s staff leans nearby, hinting at unseen care. The scene hums with quiet devotion, a moment suspended between earth and something beyond.
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The Temptation of Christ (c. 1516-25)
Christ kneels in the barren desert, gaunt from fasting. A winged figure offers bread while shadowy demons lurk behind rocks. The air hums with tension—will he yield to hunger or hold fast? Light fractures the scene, carving sharp contrasts between divine resolve and earthly frailty.