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Study for Rokoko (1888)
Delicate pastel hues swirl around figures in powdered wigs, their gestures frozen mid-conversation. The sketch captures Rococo’s playful elegance—whispered secrets and rustling silk suggested with quick, confident strokes. A world of aristocratic leisure emerges from these loose lines, both spontaneous and precise.
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Hins Anders (1904)
A young boy’s gaze meets the viewer, his expression caught between curiosity and quiet reserve. The brushwork is loose yet precise, capturing the softness of youth against a muted background. There’s an unspoken tension in his stillness—as if he might turn away any moment.
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By Jerusalem. (1921)
Golden light spills over ancient stone walls, casting long shadows across the city. The air hums with quiet reverence, a timeless pause before the clamor of daily life resumes. Jerusalem stands eternal yet fleeting, caught between earth and sky.
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Pontus Fürstenberg (1898)
A man leans forward, his sharp gaze and confident posture framed by a dark coat. The brushstrokes capture his quiet authority, the light catching his face with striking clarity. There’s an unspoken intensity in the way he holds himself—like a conversation paused mid-sentence.
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A Fairy (Kersti In The Meadow) (1899)
A girl in a white dress stands barefoot in the meadow, sunlight dappling through the trees. She holds a flower, half-turned as if caught between worlds—part child, part something wilder. The grass brushes her ankles, and for a moment, the air hums with the possibility of wings.