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![1898 [Women’s fashion in nineteenth-century Paris] (1902) by Henri Boutet 1898 [Women’s fashion in nineteenth-century Paris] (1902)](https://img.zartify.com/products/French/Henri Boutet/1898 [Women’s fashion in nineteenth-century Paris] (1902)-full.webp)
1898 [Women’s fashion in nineteenth-century Paris] (1902)
A Parisian woman adjusts her gloves, the intricate lace of her gown catching the light. The bustle of 19th-century fashion swirls around her—corsets, parasols, the whisper of silk. Every detail speaks of an era where elegance was armor and every outing a performance.
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The Daughters of Catulle Mendès (1888)
Three sisters in white dresses, their flushed cheeks and loose curls catching the light. One leans forward with quiet intensity while another gazes sideways, half-smiling. The youngest clutches her skirt, fingers barely brushing her sister’s sleeve—a fleeting closeness before they scatter like petals.
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Portrait of a Lady (La Bella) (1536-1538)
A woman in rich blue silk gazes past the viewer, her hand resting lightly on her fur-trimmed robe. Gold embroidery glints against deep fabric folds, framing her serene yet distant expression. The play of light on pearls and velvet draws the eye, hinting at untold stories behind her composed demeanor.
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Study of a streetwalker for the painting “East” (1910)
A lone woman pauses under dim streetlights, her figure sketched with loose, urgent strokes. The shadows cling to her like a second skin, blurring the edges between her and the night. A fleeting glimpse of urban life, raw and unfinished.
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Jeune femme dans l’intérieur
A woman sits in a sunlit room, her posture relaxed yet poised. Warm light spills across the floor, catching the folds of her dress. The air feels still, intimate—like a quiet afternoon suspended in time. There’s something unspoken in her gaze, just beyond reach.
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 (1897)-full.webp)
Mrs. Walter Rathbone Bacon (Virginia Purdy Barker, 1862–1919) (1897)
A woman in black lace gazes past the viewer, her poised elegance softened by the play of light on her face. The brushstrokes blur formality into something alive, fleeting—a moment caught between restraint and quiet emotion.
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Marie Krøyer (1891)
A woman stands by the shore, her pale dress catching the sea breeze. The light plays across her face—soft yet restless, like the water behind her. There’s something unspoken in her gaze, a quiet tension between stillness and motion. The moment feels fleeting, already slipping away.
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Sybil Frances Grey, later Lady Eden (1906)
A young aristocrat gazes past the viewer, her pale dress glowing against the dark background. The loose brushstrokes suggest movement—as if she might turn away any moment. There’s a quiet defiance in her posture, an unspoken tension between elegance and impatience.
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La Liseuse
A woman sits absorbed in her book, the pages catching soft light. Her posture leans slightly forward, fingers resting on the open spread. The quiet intensity of her focus makes the room around her fade—just the text, her thoughts, and the stillness of reading.