One of China’s top ten enduring masterpieces—a brilliant exemplar of the exquisite “blue-green landscape painting” technique.
Gathering the essence of Chinese calligraphy and painting art, showcasing the most representative works of calligraphy and painting. It delves deeply into the unique charm of traditional Chinese culture.
We carefully select rare manuscripts of extremely high artistic value and cultural significance, ensuring both quality and depth, blending visual beauty with cultural richness.
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Wang Xizhi – Calligraphers of the Eastern Jin Dynasty
Garden of Solitary Enjoyment refers to a site built in 1073 by the statesman Sima Guang (1019–1086) after he had retired to Luoyang, Henan province. Every spring, visitors would flock to his garden.
Ming dynasty Buddhist scroll depicting Vimalakirti’s debate, blending ink precision with mineral pigments, housed in Taipei Palace Museum.
A scholar contemplates the vista from a pavilion, while a visitor on a donkey crosses a frost-laden bridge, their postures subtly conveying winter’s bite and literati resilience
This work bridges Southern Song lyrical minimalism and Ming reinterpretations, offering insights into Ma Yuan’s enduring influence and the evolution of “academy-style” landscape painting.
scholars in sable cluster around wine warmers while linen-clad servants stand frozen, unlit firecrackers dangling like Damocles’ sword. Hailed as “a pathological specimen of Ming genre painting.”
Mi Fu’s “Cloudy Peaks and Pines” scroll whispers ancient burnout remedies through ink-wash poetry. The lone pavilion stands like a medieval mindfulness app icon, while mist-shrouded pines encode Song-era work-life balance wisdom.
Artwork integrates landscapes and figures to express his profound contemplation of nature, reclusive living, and artistic philosophy.
This painting depicts the lunar goddess Chang’e holding a rabbit in quiet contemplation. Chang’e stands apart, her gaze introspective, as if pondering the bittersweet divide between immortality and human connection.