Giovanni Battista Tiepolo

Giovanni Battista Tiepolo (1696–1770), Italian, Giovanni Battista Tiepolo, born in Venice in March 1696, emerged as a towering figure of the Venetian Rococo, celebrated for his grandiose and theatrical compositions. The youngest of nine siblings, Tiepolo's early life was marked by hardship following his father's death in 1697, leaving the family in financial straits. His artistic journey began around 1710 under the tutelage of Gregorio Lazzarini, from whom he absorbed a blend of Venetian traditions and a penchant for dramatic flair. Tiepolo's early work, influenced by the dark, intense styles of Federico Bencovich and Giovanni Battista Piazzetta, soon evolved to reflect the luminous vibrancy of Sebastiano Ricci and the grandeur of Venetian masters like Tintoretto and Veronese.
By 1715, Tiepolo had begun to leave his mark with works such as the five apostles' figures for Santa Maria dei Derelitti, showcasing his mastery of chiaroscuro. His talent caught the eye of Venice's elite, including Doge Giovanni II Corner, for whom he executed portraits and decorative pieces, blending warm tones with a clear, luminous quality. Tiepolo's career, spanning several decades, was distinguished by his frescoes and paintings that adorned churches and palaces across Europe, culminating in his work in Madrid, where he died in 1770. His legacy, carried forward by his sons Giandomenico and Lorenzo, cements his status as a pivotal figure in 18th-century art, bridging the Baroque's dynamism with the Rococo's lightness and elegance.
  • The Madonna Facing Front And Wearing A Blue Cloak

    The Madonna Facing Front And Wearing A Blue Cloak

    Giovanni Battista Tiepolo (Italian, 1696–1770)

    The Madonna gazes directly outward, her blue cloak pooling around her like a midnight sky. Light catches the folds of fabric, softening her solemn expression. There’s weight in her stillness—a quiet intensity that holds the viewer. The simplicity of her pose belies something deeper, unspoken.

  • The Immaculate Conception (Joachim en Anna receiving the Virgin Mary from God the Father) (c. 1757 – c. 1759)

    The Immaculate Conception (Joachim en Anna receiving the Virgin Mary from God the Father) (c. 1757 – c. 1759)

    Giovanni Battista Tiepolo (Italian, 1696–1770)

    Golden light spills from heaven as God the Father presents the infant Virgin Mary to her awestruck parents. Joachim and Anna reach upward, their faces alight with reverence, while celestial figures swirl in the luminous clouds above. The child glows at the center of this divine transaction, suspended between earth and sky.