Pierre Mignard (1612–1695), French, A leading figure in French Baroque painting, this artist was celebrated for his refined portraiture and religious works, blending elegance with emotional depth. Trained in Fontainebleau and later in Rome, he absorbed the influences of Italian masters like Raphael and Carracci, developing a style marked by luminous colors and delicate, almost porcelain-like flesh tones. His portraits, often commissioned by aristocracy and royalty, captured not just likeness but a sense of grace and inner life—earning him favor at the court of Louis XIV. Though overshadowed by his rival Charles Le Brun, his work retained a distinct intimacy, particularly in depictions of women and children, where he avoided overt grandeur in favor of subtle warmth. Religious scenes, too, carried a quiet drama, with figures bathed in soft light that hinted at divine presence. Despite his official role as *Premier Peintre du Roi*, Pierre Mignard never fully embraced the rigid classicism of the Academy, leaving a legacy that balanced courtly decorum with understated humanity.