Simone Martini

Simone Martini (1284–1344), Italian, Simone Martini, often referred to as Simone Senese, was a pivotal figure in the Italian Trecento, standing as one of the most influential artists of his time alongside Giotto. Born in Siena around 1284, Martini's artistic journey likely began under the tutelage of Duccio di Buoninsegna, though his work soon transcended the stylistic confines of his master, incorporating a distinctive plasticity and depth that hinted at an early exposure to Giotto's innovations. His career took a significant turn when he was commissioned to paint the 'Maestà' in Siena's Palazzo Pubblico, a project that catapulted him to fame and established his reputation as a master of the Sienese school.
Martini's artistic endeavors were not confined to Siena; he left a lasting legacy in Assisi, Rome, and Naples, showcasing his versatility and broad appeal. In 1340, he moved to Avignone, then the seat of the papacy, where he continued to work until his death in 1344. His time in France not only marked the final chapter of his career but also cemented his influence on the Gothic art movement, bridging Italian and French artistic traditions. Martini's work is celebrated for its elegant linearity, refined color palette, and emotional depth, qualities that have secured his place as a cornerstone of early Renaissance art.
  • The Angel of the Annunciation (c. 1330)

    The Angel of the Annunciation (c. 1330)

    Simone Martini (Italian, 1284–1344)

    Golden wings shimmer as the angel kneels, delivering divine news. Lilies bloom between them, their white petals stark against the gilded background. The Virgin’s blue robe folds in delicate ripples, her hand raised in startled grace. A moment suspended—sacred, silent, charged with unspoken words.