Baroque Art Collection | Perfect for Wall Art, Prints

Moses Smashing the Tablets of the Law (1659)

Rembrandt van Rijn (Dutch, 1606–1669)

Moses stands frozen mid-swing, the shattered stone tablets hurtling toward the ground. His face burns with divine fury, the broken commandments scattering at his feet like fallen idols. The air crackles with wrath—both human and holy—as the covenant fractures in an instant of righteous violence.
The Angel Of The Annunciation (C.1653)

Carlo Dolci (Italian, 1616–1686)

A golden-winged angel kneels, bathed in celestial light. His delicate fingers part the air as if unveiling a divine secret. The folds of his robe shimmer with restrained energy, poised between motion and stillness. A hush lingers—the moment before revelation.
Madonna And Child

Francisco de Zurbarán (Spanish, 1598–1664)

A young mother cradles her child, their faces softly lit against the dark. The infant’s tiny hand rests on hers—tender, yet weighted with quiet solemnity. Gold fabric drapes around them, rich folds framing this quiet moment between two figures bound by love and destiny.
Portrait of a Lady with a Lap Dog (ca 1665)

Rembrandt van Rijn (Dutch, 1606–1669)

A woman in rich fabrics cradles a small dog, its fur ruffled under her fingers. Shadows pool in the folds of her sleeve, light catching the gold thread along her collar. The dog’s dark eyes meet yours, alive and watchful, while her gaze rests somewhere just beyond the frame.
David Playing the Harp in front of Saul (ca. 1630 – 1631)

Rembrandt van Rijn (Dutch, 1606–1669)

David’s fingers pluck the harp strings as Saul sits rigid, his face shadowed. The music hangs between them—soothing melody against coiled tension. A king and his future rival, bound by the fragile thread of a song.
The Education of the Virgin (ca. 1617–18)

Diego Velázquez (Spanish, 1599–1660)

A young Mary kneels with a book, her mother’s hand guiding hers. The light falls softly on their faces, the scene intimate, almost ordinary—yet charged with quiet devotion. The folds of their robes, the worn pages, the tender focus between them: a moment both humble and sacred.
The Immaculate Conception (c. 1680)

Bartolomé Estebán Murillo (Spanish, 1618–1682)

A young woman floats on clouds, bathed in golden light, her hands clasped in prayer as cherubs swirl around her. The heavens part above her bowed head, rays piercing through the darkness below. Blue robes ripple weightlessly, caught between earth and sky.
Portrait of Miss Dorothy Long (1703-1758) (1737)

John Vanderbank (English, 1694–1739)

Dorothy Long’s gaze holds steady, her lace collar framing quiet confidence. The soft glow on her face hints at a life just beyond the canvas—elegant, restrained, and utterly alive.
Narcissus (1597–1599)

Caravaggio (Italian, 1571–1610)

A boy kneels by dark water, transfixed by his own reflection. His fingers barely break the surface, blurring the face staring back—youth and vanity frozen in that fragile moment before the ripples fade. The pool holds him captive, mirroring a fate already written in myth.