Explore Artworks

Holocentrus punctatus, The punctulated Holocentre. (1785-1797) (1)

Marcus Elieser Bloch (German, 1723–1799)

Scales shimmer with precise dots, each mark a tiny universe. The fish’s spine curves like a question, fins splayed as if caught mid-motion. Dark eyes watch from paper, alive in ink and line. A specimen frozen, yet pulsing with the energy of the deep.
Poissons, ecrevisses et crabes, de diverses couleurs et figures extraordinaires.. Pl.029 (1718-1719)

Louis Renard (French, 1678–1746)

Vibrant fish dart between spiny crabs and crimson crayfish, their scales shimmering like polished metal. The seafloor teems with creatures both familiar and bizarre—some striped like tigers, others adorned with curling tendrils. Each detail pulses with life, as if the page itself could ripple with saltwater.
Epinephelus ruber, The red Wall-eye. (1785-1797) (1)

Marcus Elieser Bloch (German, 1723–1799)

The red Wall-eye glides across the page, scales etched with precision, its vivid hue contrasting starkly against the blank background. Every fin and gill is rendered with scientific clarity, yet the fish seems poised to flick its tail and swim off the paper.
Soleils (1940)

Henri Manguin (French, 1874–1949)

A woman lounges in dappled sunlight, her skin glowing against bold strokes of orange and green. The colors vibrate with raw energy, turning an ordinary moment into something electric. Shadows dance around her, alive with the heat of the day. It’s not just a scene—it’s a pulse of pure color.
The Daughters of Catulle Mendès (1888)

Pierre-Auguste Renoir (French, 1841–1919)

Three sisters in white dresses, their flushed cheeks and loose curls catching the light. One leans forward with quiet intensity while another gazes sideways, half-smiling. The youngest clutches her skirt, fingers barely brushing her sister’s sleeve—a fleeting closeness before they scatter like petals.
A Gèdres (Basses Pyrénnées) (circa 1878)

Henri Stanislas Rouart (French, 1833–1912)

Rolling hills stretch under a muted sky, their slopes dotted with sparse trees. The land folds into shadowed valleys, rough textures softened by distance. A quiet path winds through, barely touched by human presence—just earth and air holding their breath.
Gardens Of The Generalife, Granada

Santiago Rusiñol (Spanish, 1861–1931)

Sunlight filters through cypress trees, casting dappled shadows on the tiled pathways. Water murmurs in hidden fountains, weaving through the geometric patterns of hedges. The air smells of orange blossoms and damp stone—a quiet corner of Granada where time moves differently.
Soap Bubbles (ca. 1859)

Thomas Couture (French, 1815–1879)

A boy leans in, eyes wide, as a fragile soap bubble floats between his fingers. The shimmering sphere catches the light, its fleeting beauty mirrored in his rapt expression. Around him, other children watch, their faces alight with wonder at this tiny, transient world about to vanish.
Au Jardin des Hespérides (Garden of Hesperides) (1913)

George Barbier (French, 1882–1932)

Golden apples glow among twisting branches, guarded by nymphs draped in flowing silks. The air hums with myth—a paradise where time lingers, lush and forbidden. Every leaf seems to whisper secrets of the gods.
The Satyr Tragopan (1918-1922)

Archibald Thorburn (Scottish, 1860–1935)

A crimson-feathered Satyr Tragopan perches among mossy branches, its jewel-like plumage glowing against the muted greens. The bird’s intense gaze and raised crest suggest sudden alertness—perhaps a distant call or rustle in the undergrowth. Watercolor strokes mimic the dappled forest light filtering through leaves.
Beauty of the Tyrol (1880)

Franz von Defregger (Austrian, 1835–1921)

A young woman in traditional Tyrolean dress stands against a rugged alpine backdrop, her gaze steady. The folds of her skirt catch the light, echoing the textures of the landscape behind her. There’s quiet strength in her posture, an unspoken bond between people and place.
Unidentified Fish (9)

Luigi Balugani (Italian, 1737–1770)

A slender fish with delicate fins hovers against pale paper, its scales rendered in precise watercolor strokes. The creature seems both familiar and strange—an enigma suspended in muted blues and grays, waiting to be named.
The convalescent

John Bostock (English, unknown)

A figure rests in dim light, wrapped in blankets, their face turned away. The room holds a quiet tension—recovery hangs in the air, fragile and uncertain. Shadows cling to the edges, as if waiting to see if strength returns or fades. The moment feels suspended between healing and relapse.
Tänzerin auf der Bühne (circa 1940)

Brynolf Wennerberg (Swedish, 1866–1950)

A lone dancer twists mid-air, limbs slicing through the stage lights. The brushstrokes crackle with movement—every line thrums with the tension between control and abandon. Not a performance, but the raw electricity of a body in motion, frozen at its most precarious moment.
Still Life with Daffodils (ca. 1885–95)

John Singer Sargent (American, 1856-1925)

Sunlight spills across the table, catching the daffodils’ yellow petals. They tilt in their vase, stems bending slightly under their own weight. The brushstrokes blur the edges, as if the flowers might dissolve into the air. A quiet tension—between freshness and decay, between bloom and wilt.