Explore Artworks

Interior with the Chimera Playing the Guitar (1908)

Jacek Malczewski (Polish, 1854–1929)

A chimera lounges in shadowed lamplight, plucking guitar strings with clawed fingers. The creature’s mismatched eyes gleam against the dim interior, half-smiling at some private melody. Wooden floorboards creak under its coiled tail. No human ears hear this music—only the walls, the furniture, the gathering dark.
A fishing village on the Baltic coast

Julius Sergius Klever (Russian, 1850–1924)

Waves crash against weathered boats as the Baltic wind whips through the fishing village. Smoke curls from chimneys into the fading light, where sea and sky blur into a single gray expanse. Nets hang heavy with the day’s catch, and the scent of salt lingers in the air.
Anémones et mimosas (1943)

Henri Manguin (French, 1874–1949)

Bold fauvist strokes ignite a riot of color—anemones burst crimson against golden mimosa, their petals almost vibrating off the canvas. The flowers don’t sit; they pulse with wild energy, as if the vase might shatter from sheer vitality.
Atlas państwa zwierzęcego Pl.84 (1905)

Kurt Lampert (German, unknown)

A meticulous engraving of the animal kingdom, where each creature is rendered with scientific precision—feathers, fur, and scales etched in fine detail, as if lifted from a naturalist’s field notes. The lines hum with life, transforming the page into a silent menagerie.
Wheat Field with Cypresses (1889)

Vincent van Gogh (Dutch, 1853–1890)

Swirling golden wheat bends under a restless sky, cypress trees twisting like dark flames. The brushstrokes pulse with energy, thick paint carving wind and light into something alive. That tension between earth and air—solid stalks against whirling blue—makes the field feel both grounded and about to take flight.
Releasing Butterflies

Emile Villa (French, unknown)

Hands open, fingers uncurling—a flutter of wings takes flight. The air hums with delicate motion, colors dissolving into sky. For a breath, everything is weightless. Then the moment slips away.
A fashionable beauty

Gustave Jean Jacquet (French, 1846–1909)

A woman in lavish silks gazes past the viewer, her delicate lace collar framing a face of quiet confidence. The rich textures of her gown shimmer against the dark background, every fold and jewel hinting at untold stories behind those composed eyes.
The Madonna and Child surrounded by a floral garland

Jan Brueghel the Younger (Flemish, 1601–1678)

A luminous Madonna cradles the infant Christ, encircled by a lush wreath of blooming flowers. Delicate petals frame the sacred pair, their vibrant colors contrasting with the serene figures. The garland bursts with life, as if nature itself bends to honor the divine mother and child.
Die drei Grazien (1899)

Édouard Bisson (French, 1856–1945)

Three women intertwine in effortless harmony, their flowing drapery echoing the curves of their bodies. Myth becomes flesh as they embody grace itself—not posed, but caught mid-movement like a breath held between laughter and song. The air around them shimmers with unspoken stories.
On the Stile (1878)

Winslow Homer (American, 1836–1910)

A girl pauses on the wooden stile, her dress catching the breeze. The fields stretch beyond her, golden and endless. For a moment, she’s neither here nor there—just balanced between two worlds, one foot still lingering in childhood.
A Cottage In Gastein, Austria ( 1912)

Peder Mørk Mønsted (Danish, unknown)

Snow blankets the Austrian hillside, muffling the world. Smoke curls from the cottage chimney, a thin gray thread against the crisp white. The frozen stream glints under pale sunlight, its surface cracked like old porcelain. Warm light glows behind frosted windows—a quiet defiance against winter’s grip.
Siddende ung pige med grønt tørklæde

Erik Henningsen (Danish, unknown)

A young girl sits wrapped in a green scarf, her gaze steady yet distant. The fabric’s folds catch the light, framing her quiet expression. There’s weight in her stillness—something unspoken lingers between the brushstrokes.
At Sant Benet de Bages

Ramón Casas (Spanish, 1866–1932)

Sunlight dapples the Spanish countryside, casting long shadows across the path to Sant Benet de Bages. The brushstrokes blur fields and sky, leaving just enough detail to hint at the monastery’s quiet presence beyond the hills. A warm breeze seems to rustle through the olive trees.
View from Istebna V. Church (1906)

Konrad Krzyżanowski (Polish, 1872–1922)

A lone church stands against the wind, its steeple piercing the sky. The landscape around it feels alive—raw and untamed. You can almost hear the creak of wooden beams, the whisper of grass bending under the Polish breeze. Something hums beneath the surface here, quiet but insistent.
Foreign butterflies occurring in the three continents Asia, Africa and America Pl.411 (1779-1782)

Pieter Cramer (Dutch, 1721–1776)

Vibrant wings unfold across continents—Asian, African, American butterflies pinned to the page, their delicate patterns preserved in ink. Each specimen a fleeting traveler, now frozen mid-flight, revealing nature’s intricate brushstrokes.