Explore Artworks

Unidentified Fish (1)

Luigi Balugani (Italian, 1737–1770)

A watercolor fish, scales gleaming, drifts against blank paper—unnamed, unknown. Its delicate fins seem to tremble, caught between scientific record and something wilder, refusing to be pinned down.
Pandora (ca. 1914)

Odilon Redon (French, 1840–1916)

A woman emerges from swirling darkness, her pale form cradling a glowing vessel. Shadows cling to her limbs like smoke, while the box in her hands pulses with eerie light—both gift and curse in one. The air hums with unspoken myth, that moment before revelation cracks the world open.
Untitled (Courtyard with Maidens)

Henri Victor Lesur (French, unknown)

Sunlight filters through the courtyard arches, casting lace-like shadows on the stone. Three maidens linger by the fountain, their whispered secrets lost in the splash of water. One adjusts her shawl, another gazes at the doves—each caught in a private reverie beneath the same golden light.
View of the Coast of Amalfi

Guglielmo Giusti (Italian, unknown)

Sunlight glints off the turquoise waves crashing against Amalfi’s cliffs. Terraced villages cling to steep slopes, their pastel walls glowing against the rugged coastline. The sea stretches endlessly, its shifting blues mirroring the sky. A breeze carries salt and citrus through olive groves clinging to the hills.
Fauna japonica Pl.104 (1833-1850)

Philipp Franz Balthasar von Siebold (German, 1796–1866)

Delicate wings unfold against crisp paper, a Japanese insect preserved in precise lines. The engraving balances scientific detail with quiet elegance, each vein and segment rendered with care. A glimpse into a world where nature meets meticulous observation.
Printemps (before 1892)

Etienne Adolphe Piot (French, 1850–1910)

A young woman cradles a bouquet of fresh blooms, her gaze soft and distant. Delicate petals spill over her hands, their vibrant hues contrasting with the muted folds of her dress. Spring lingers in the air, caught between her fingers and the quiet turn of her thoughts.
Vision; vase of flowers (1900)

Odilon Redon (French, 1840–1916)

A vase blooms with flowers that seem to hover between dream and decay—petals too vivid, stems unnervingly still. The air hums with something unspoken, as if the arrangement holds a secret just beyond reach.
Anunciación

Ángel Zárraga (Mexican, unknown)

A golden light spills across the scene as the angel kneels, wings still trembling from flight. Mary’s hands hover mid-gesture—not quite refusal, not yet acceptance. The air hums with unspoken words. Between them, a silence thick enough to shape destinies.
On the Heights (circa 1909)

Charles Courtney Curran (American, 1861–1942)

Sunlight dapples through the trees, casting soft shadows on the grassy slope. A breeze rustles the leaves, carrying the scent of wildflowers. Two figures pause on the hilltop, their silhouettes small against the vast, glowing sky. The world stretches out below, bathed in golden afternoon warmth.
The Auvers Valley on the Oise River (1884–1906)

Pierre-Auguste Renoir (French, 1841–1919)

Sunlight dances on the Oise, dappling the water between swaying trees. The valley breathes with loose brushstrokes—greens melt into blues, land blurs into river. A fleeting warmth lingers in the air, as if summer might slip away with the next breeze.
Fragment de la maquette pour la décoration du théâtre des auteurs gais, exposition universelle (1900)

Henri Bellery-Desfontaines (French, 1867–1909)

A swirling theater facade emerges—gold leaf and crimson curves twisting into symbolic forms. The design pulses with hidden meaning, poised between decoration and allegory. Every flourish whispers of spectacle yet unseen.
Artemisia (1498)

Master of Griselda (Italian, unknown)

A woman kneels in devotion, her crimson gown pooling around her. The light catches her lowered eyelids, the quiet intensity of prayer. Behind her, a shadowed arch frames the moment—not grandeur, but something more intimate: faith distilled to its essence.
Fauna japonica Pl.042 (1833-1850)

Philipp Franz Balthasar von Siebold (German, 1796–1866)

Delicate wings unfold against precise lines, a Japanese insect preserved in ink. The engraving balances scientific detail with quiet elegance, each vein and segment rendered with care. A glimpse into a world where nature meets meticulous craftsmanship.
Farmhouse Garden

Olga Wisinger-Florian (Austrian, 1844–1926)

Sunlight dapples through lush greenery, brushing color across flower beds and winding paths. The garden feels alive, each stroke of the brush suggesting a breeze rustling through leaves. It’s not just a place—it’s a moment, warm and wild, where nature spills beyond the edges of the canvas.
Portrait of Helen Vincent, Viscountess D’Abernon (1904)

John Singer Sargent (American, 1856-1925)

Helen Vincent’s poised elegance fills the frame, her gaze both direct and elusive. The rich textures of her gown contrast with the soft glow of her skin, a study in aristocratic grace. There’s something unspoken in her expression—neither smile nor frown, but a quiet, knowing presence.