Explore Artworks

Printemps (before 1892)

Etienne Adolphe Piot (French, 1850–1910)

A young woman cradles a bouquet of fresh blooms, her gaze soft and distant. Delicate petals spill over her hands, their vibrant hues contrasting with the muted folds of her dress. Spring lingers in the air, caught between her fingers and the quiet turn of her thoughts.
Vision; vase of flowers (1900)

Odilon Redon (French, 1840–1916)

A vase blooms with flowers that seem to hover between dream and decay—petals too vivid, stems unnervingly still. The air hums with something unspoken, as if the arrangement holds a secret just beyond reach.
Anunciación

Ángel Zárraga (Mexican, unknown)

A golden light spills across the scene as the angel kneels, wings still trembling from flight. Mary’s hands hover mid-gesture—not quite refusal, not yet acceptance. The air hums with unspoken words. Between them, a silence thick enough to shape destinies.
On the Heights (circa 1909)

Charles Courtney Curran (American, 1861–1942)

Sunlight dapples through the trees, casting soft shadows on the grassy slope. A breeze rustles the leaves, carrying the scent of wildflowers. Two figures pause on the hilltop, their silhouettes small against the vast, glowing sky. The world stretches out below, bathed in golden afternoon warmth.
The Auvers Valley on the Oise River (1884–1906)

Pierre-Auguste Renoir (French, 1841–1919)

Sunlight dances on the Oise, dappling the water between swaying trees. The valley breathes with loose brushstrokes—greens melt into blues, land blurs into river. A fleeting warmth lingers in the air, as if summer might slip away with the next breeze.
Fragment de la maquette pour la décoration du théâtre des auteurs gais, exposition universelle (1900)

Henri Bellery-Desfontaines (French, 1867–1909)

A swirling theater facade emerges—gold leaf and crimson curves twisting into symbolic forms. The design pulses with hidden meaning, poised between decoration and allegory. Every flourish whispers of spectacle yet unseen.
Artemisia (1498)

Master of Griselda (Italian, unknown)

A woman kneels in devotion, her crimson gown pooling around her. The light catches her lowered eyelids, the quiet intensity of prayer. Behind her, a shadowed arch frames the moment—not grandeur, but something more intimate: faith distilled to its essence.
Fauna japonica Pl.042 (1833-1850)

Philipp Franz Balthasar von Siebold (German, 1796–1866)

Delicate wings unfold against precise lines, a Japanese insect preserved in ink. The engraving balances scientific detail with quiet elegance, each vein and segment rendered with care. A glimpse into a world where nature meets meticulous craftsmanship.
Farmhouse Garden

Olga Wisinger-Florian (Austrian, 1844–1926)

Sunlight dapples through lush greenery, brushing color across flower beds and winding paths. The garden feels alive, each stroke of the brush suggesting a breeze rustling through leaves. It’s not just a place—it’s a moment, warm and wild, where nature spills beyond the edges of the canvas.
Portrait of Helen Vincent, Viscountess D’Abernon (1904)

John Singer Sargent (American, 1856-1925)

Helen Vincent’s poised elegance fills the frame, her gaze both direct and elusive. The rich textures of her gown contrast with the soft glow of her skin, a study in aristocratic grace. There’s something unspoken in her expression—neither smile nor frown, but a quiet, knowing presence.
The sweetest little beggar that e’er asked for Alms (1891)

William Powell Frith (English, 1819–1909)

A ragged child, eyes wide with hunger, extends a tiny hand. The plea is silent but unmistakable—coins or crusts, anything to fill the hollow belly. The street’s grime clings to their clothes, yet there’s a fragile dignity in that outstretched palm. One can almost hear the whisper: “Please.”
Large Vase with Flowers (c. 1912)

Odilon Redon (French, 1840–1916)

A riot of blooms spills from the vase, their petals glowing like stained glass against the dark. The flowers seem to pulse with an inner light, as if dreaming themselves into existence. Something wild lingers beneath the surface of this still life—a whisper of mystery tangled in the stems.
Sainte Famille (The Holy Family) (1863)

William Bouguereau (French, 1825–1905)

A mother cradles her child, bathed in soft light, while a watchful figure stands nearby. The scene radiates quiet devotion, every fold of fabric and tender gesture steeped in reverence. It’s intimate yet universal—a moment of quiet strength, love, and protection frozen in paint.
Little Boy Blue (1880s)

Francis Donkin Bedford (English, 1864–1954)

A drowsy boy leans against a haystack, his horn slipping from limp fingers. Sheep graze undisturbed as the sun dips low, casting long shadows across the field. The scene hums with quiet neglect—a child’s duty forgotten in the warmth of afternoon slumber.
Le pêcheur à la ligne (1874)

Pierre-Auguste Renoir (French, 1841–1919)

A lone fisherman casts his line into the shimmering river, sunlight dancing on the water’s surface. Loose brushstrokes blur the boundary between man and nature, leaving only the quiet rhythm of waiting. The scene hums with the unspoken tension between stillness and potential movement.