Explore Artworks

La Nanna (Sunny Hours)

Frederic Leighton (English, 1830–1896)

A mother cradles her sleeping child, sunlight dappling their quiet embrace. The folds of her dress pool around them like soft waves, sheltering the drowsy warmth between. Fingers curl against fabric, breaths slow—a private lullaby woven through golden afternoon light.
Norman landscape (Breuilpont) (1927)

Tadeusz Makowski (Polish, 1882–1932)

A sunlit path winds through the Norman countryside, past thatched cottages with crooked chimneys. The air hums with quiet labor—fields tended, laundry hung out to dry. Every brushstroke holds the weight of simple things done well, the rhythm of rural life undisturbed by time.
Fauna japonica Pl.024 (1833-1850)

Philipp Franz Balthasar von Siebold (German, 1796–1866)

Delicate wings spread against crisp paper, a Japanese insect preserved in ink. Every vein, every segment rendered with scientific precision—yet alive with motion, as if about to take flight from the page. Here, nature meets meticulous handwork, frozen in black and white.
Natural History (Galerya obrazowa zwiérząt czyli Historya naturalna) Pl.20 (1839)

Anton Benedikt Reichenbach (German, 1804–1877)

A detailed engraving of animals, their forms etched with precision—each line alive with texture and movement. The creatures seem to pause mid-motion, frozen in an intricate dance of fur, feather, and scale.
Cyprinus macrophthalmus, The Telescope. (1785-1797)

Marcus Elieser Bloch (German, 1723–1799)

A bulbous-eyed fish stares from the page, its scales meticulously etched. The exaggerated gaze gives it an almost alien presence, frozen mid-swim against blank parchment. Every fin and gill is rendered with scientific precision, yet the creature feels alive, as if it might flick its tail and vanish into the margins.
Dancing At Sunset (1905)

Otto Pilny (Swiss, 1866–1936)

Silhouettes twirl against a fiery sky, their movements blurring into the dying light. Bare feet press into warm earth as laughter mingles with the rustle of fabric. The horizon swallows the sun whole, but the dance refuses to end.
Lactarius torminosus (Schaeff.) (1915-1945)

Hans Walty (Swiss, 1868-1948)

Delicate gills fan out beneath a pale pink cap, its edges fringed with soft, woolly hairs. The mushroom’s surface glistens faintly, as if still damp from the forest floor. Every curve and ridge is rendered with precision, revealing nature’s quiet intricacy in this unassuming fungus.
Children with Geese (1887)

Franz Xaver Gräßel (German, 1861–1948)

Two barefoot children pause in a sunlit field, their laughter silent as geese waddle close. One child reaches out, fingers brushing white feathers, while the other watches with wide eyes. The grass bends underfoot, alive with the quiet tension of trust between small hands and wary beaks.
Venice, a view of St Mark’s Square

Marco Grubacs (Austrian, unknown)

Sunlight glints off the canals, casting rippling reflections on St. Mark’s Square. The basilica’s domes rise against a sky streaked with soft clouds, while gondolas bob gently near the waterfront. Venice hums with life, its grandeur and bustle frozen in a single, luminous moment.
Meadow Flowers (Golden Rod and Wild Aster)

John Henry Twachtman (American, 1853–1902)

Golden rod and wild aster sway in the breeze, their delicate stems tangled in a sunlit meadow. Soft brushstrokes blur the line between flowers and grass, as if the whole field might dissolve into light. The air hums with warmth, alive with the quiet rustle of petals against green.
Countess Alexander Nikolaevitch Lamsdorff (1859)

Franz Xaver Winterhalter (German, 1805–1873)

A young countess gazes past the viewer, her silk gown shimmering against dark fur. Pearls glint at her throat, catching the light like scattered stars. There’s a quiet defiance in her posture—aristocratic grace threaded with something unreadable. The lace at her wrists seems to tremble with unspoken words.
The Musicians (c. 1876 – c. 1877)

Henriëtte Ronner-Knip (Dutch, 1821–1909)

Two cats perch on a piano bench, paws hovering over the keys. A third leans in, ears twitching as if catching the first notes of an unseen melody. The room hums with silent anticipation—creatures poised between domestic comfort and the thrill of performance.
Tea in the garden

Philipp Rumpf (German, 1821–1896)

Sunlight filters through the leaves, dappling the porcelain cup. A hand hovers near the saucer, mid-reach. The garden hums—bees, rustling skirts, the faint clink of silverware. Steam curls from the tea, carrying the scent of bergamot and cut grass. A pause before the first sip.
De uitlandsche kapellen voorkomende in de drie waereld-deelen, Asia, Africa en America pl36 (1779-1782)

Pieter Cramer (Dutch, 1721–1776)

Delicate wings unfurl in precise engravings—Asian, African, and American butterflies pinned to the page, their intricate patterns preserved like secrets. Each specimen whispers of distant forests and unseen skies, a silent migration across continents captured in ink.
The Sonatina (1883)

John Collier (English, 1850–1934)

A young woman leans over the piano, fingers resting lightly on the keys. The sheet music lies open, but her gaze drifts away—lost in thought or memory. The room’s soft light catches the folds of her dress, the quiet pause before the first note breaks the silence.