Explore Artworks

Le balcon de Jaurès (circa 1915)

Henri Martin (French, 1860–1943)

A woman leans on the balcony railing, bathed in the soft glow of evening. The city stretches below, its rooftops dissolving into hazy blues and purples. Light catches the folds of her dress, blending with the dreamlike brushstrokes of the scene—quiet, intimate, suspended in twilight.
Mickiewicz as a Pilgrim (1894)

Jan Styka (Polish, 1858–1925)

A lone pilgrim stands against a vast landscape, his gaze distant yet intense. The folds of his cloak catch the wind, echoing the restless spirit of Polish literature. There’s weight in his stillness—a man caught between exile and longing, as if the horizon holds both memory and prophecy.
Wielki atlas do zoologii, botaniki i mineralogii Pl.046 (1887)

Gustav von Hayek (Austrian, 1899–1992)

Delicate engravings reveal nature’s intricate patterns—feathers, leaves, and crystals interwoven with scientific precision. Each line traces the hidden order of living forms, a meticulous study of life’s diversity frozen in ink. The page hums with silent detail, inviting closer inspection.
Fleurs Des Champs (1940)

Henri Manguin (French, 1874–1949)

Wildflowers burst from the canvas—vibrant reds, yellows, and blues clash like a summer meadow caught in midday light. Thick brushstrokes give the petals weight, as if they might spill beyond the frame. No delicate arrangement here; these blooms pulse with untamed energy.
Great Barrier Reef Echinoderms (1893)

William Saville-Kent (English, 1841–1908)

Delicate sea stars sprawl across the ocean floor, their spiny arms glowing against the reef’s shadows. Brittle stars twist like living lace, while a feather star’s tendrils drift in unseen currents—each creature a small marvel in the Great Barrier Reef’s hidden world.
Cottage (1932)

Zygmunt Waliszewski (Polish, 1897–1936)

A thatched roof sags under the weight of time, its wooden beams bowing like tired shoulders. Smoke curls from a crooked chimney, dissolving into the gray sky. The cottage stands stubborn against the wind, its walls holding stories in every crack.
L’Énigme (1898)

Henri Bellery-Desfontaines (French, 1867–1909)

A veiled figure stands in shadow, her face obscured—an allegory of the unknowable. The muted tones deepen the mystery, while her draped form suggests secrets folded into fabric. What truth hides beneath those layers? The enigma lingers, refusing to unravel.
A synopsis of the birds of Australia, and the adjacent Islands Pl.43 (1837-1838)

Elizabeth Gould (English, 1804–1841)

A vibrant kingfisher perches on a branch, its cobalt wings stark against the muted greens. Nearby, a smaller bird tilts its head, as if listening. The detailed plumage suggests a careful study of life in motion, frozen mid-breath between flight and stillness.
Study for Rokoko (1888)

Carl Larsson (Swedish, 1853–1919)

Delicate pastel hues swirl around figures in powdered wigs, their gestures frozen mid-conversation. The sketch captures Rococo’s playful elegance—whispered secrets and rustling silk suggested with quick, confident strokes. A world of aristocratic leisure emerges from these loose lines, both spontaneous and precise.
A young girl with bonnet reading by a window

Gaston La Touche (French, 1854–1913)

Sunlight spills across the pages as she leans into the book, her bonnet’s ribbon loose against her shoulder. The world outside blurs—just shapes and color—while the words hold her still.
Sunset Over Water

Joseph Mallord William Turner (English, 1775–1851)

Golden light bleeds into the water, dissolving the horizon. Clouds swirl like smoke, their edges burning crimson. The sea swallows the sun’s last embers, rippling with molten reflections. For a moment, everything is fire and liquid—then night pulls its curtain across the sky.
Geftambte rose (1692)

Magdelena Rosina Funck (German, unknown)

A single rose, meticulously etched, its petals unfurling with delicate precision. Thorns and leaves curl in sharp contrast to the soft bloom, each line capturing the tension between fragility and resilience. The engraving breathes life into paper, turning botany into quiet drama.
Portrait Of Edith Hope Iselin (1930)

Philip Alexius de László (Hungarian, unknown)

A poised woman gazes past the frame, her dark dress contrasting with the soft glow of her skin. The hint of a smile lingers, suggesting a private thought left unspoken. Light catches the pearls at her neck, their luster mirroring the quiet confidence in her eyes.
Amarilla

Frederic Leighton (English, 1830–1896)

A woman in yellow leans against a sunlit wall, her draped gown pooling around her. The fabric catches the light like liquid gold, its folds whispering against stone. Her gaze drifts beyond the frame, lost in some private thought. The warmth of the scene lingers, suspended between stillness and motion.
Study For The Head Of Venus In The Awakening Of Adonis

John William Waterhouse (British, 1849-1917)

Venus gazes downward, her expression caught between longing and sorrow. Loose strands frame her face as shadows play across delicate features. The study pulses with quiet intensity—a goddess’s yearning distilled into brushstrokes. Myth lingers in every curve, every half-lidded glance toward an unseen Adonis.