Explore Artworks

A Roman Offering (circa 1891)

John William Waterhouse (British, 1849-1917)

A young woman kneels at an altar, her white robe pooling around her. She holds a golden bowl aloft, eyes lowered in solemn devotion. Smoke curls from the offering as shadows stretch across marble steps—ancient rites performed under the watch of stone gods.
A Romance (1894)

Santiago Rusiñol (Spanish, 1861–1931)

A couple lingers in twilight, their figures blurred yet intimate. The air hums with unspoken words, the warmth of their closeness melting into the shadows. Not a scene, but a feeling—love suspended between breath and silence.
Italian Study. Patio with Lemon-Trees in Flowerpots

Lars Jacob von Röök (Swedish, unknown)

Sunlight dapples the stone patio, where lemon trees in terracotta pots burst with blossoms. Their sharp citrus scent mingles with the warm air, almost audible in the stillness. The scene hums with quiet life—a hidden corner where time slows beneath the Mediterranean sky.
Évocation (Femme À La Montagne)

Odilon Redon (French, 1840–1916)

A woman stands before jagged peaks, her form dissolving into the landscape. The lines blur between flesh and stone, as if the mountain breathes through her. Something pulses beneath the surface—not quite solid, not quite dream.
Poissons, ecrevisses et crabes, de diverses couleurs et figures extraordinaires.. Pl.014 (1718-1719)

Louis Renard (French, 1678–1746)

Vibrant fish dart across the page, their scales shimmering in impossible hues. A crimson crab claws at a cobalt crayfish, both twisted into fantastical shapes. The sea here teems with creatures that defy nature—each more bizarre and vivid than the last.
A Moonlight Scene, Venice (1879)

Edward John Poynter (English, 1836–1919)

Moonlight glints on the Grand Canal, casting long shadows across quiet stone. Gondolas drift in the hush, their dark shapes barely stirring the water. The city’s usual bustle has melted into stillness, leaving only the pale glow of lamps and the whisper of oars against the night.
Avant le bain (1891)

William Bouguereau (French, 1825–1905)

A young woman stands poised by the water’s edge, her body bathed in soft light. The folds of fabric cling to her skin, hinting at movement just begun. There’s a quiet tension—the moment before immersion, when air still touches flesh and the surface remains unbroken.
Mrs. Thomas Hastings (circa 1901)

John White Alexander (American, 1856–1915)

A woman in black lace gazes past the viewer, her poised elegance softened by the hint of a distant thought. The delicate fabric drapes around her, catching light and shadow with quiet grace. There’s something unspoken in her stillness—neither melancholy nor joy, but a private world just beyond reach.
Indian Rider (1918)

William Robinson Leigh (American, 1866–1955)

A lone rider leans into the wind, his horse’s mane whipping like prairie grass. The land stretches vast behind them—untamed, endless. No words, just motion. Where they’re bound, only the dust knows.
Vale (Farewell) (1913)

Arthur Hacker (English, 1858–1919)

A woman stands at the water’s edge, her back turned, cloak billowing in the wind. The boat drifts away—no return, no last glance. Only the churning waves speak what’s left unsaid.
Parisina en su toilette

Henri Gervex (French, 1852–1929)

A woman adjusts her pearl necklace before the mirror, her silk robe slipping off one shoulder. The soft glow of candlelight catches the curve of her neck, the quiet intimacy of preparation frozen in brushstrokes. Every detail—the rumpled bed, scattered cosmetics—whispers a story half-told.
The Vlaaikensgang in Antwerp

René Bosiers (Belgian, unknown)

Narrow cobblestones twist between aged brick walls, sunlight barely reaching the alley floor. Vlaaikensgang hums with quiet history—whispers of merchants and footsteps echoing off centuries-old facades. Antwerp’s hidden passage holds its breath, a sliver of the city frozen between shadow and worn stone.
Nude little girl in a blue cap (1928)

Tadeusz Makowski (Polish, 1882–1932)

A child stares solemnly, her blue cap casting soft shadows. The simplicity of her pose belies an unsettling depth—neither fully innocent nor worldly, caught in that fleeting space between. The colors hum quietly, as if holding their breath.
The Virgin Enthroned with St. Catherine and St. Mary Magdalene (ca. 1510)

Master of St. Severin (German, unknown)

Golden light bathes the Virgin seated on her throne, flanked by St. Catherine’s quiet strength and St. Mary Magdalene’s contemplative gaze. Their draped robes pool in rich folds, drawing the eye upward to the sacred hush between them. A moment suspended—divine grace made visible through color and form.
Through The Window Fondly Looking (1882)

Gabriel Schachinger (German, 1850–1912)

A woman leans against a window frame, her gaze lost beyond the glass. The soft light catches her profile, blurring the line between the quiet interior and whatever holds her attention outside. The moment feels suspended—intimate yet distant, like a breath held too long.