Explore Artworks

  • Waterloo Bridge,Gray Day (1903)

    Waterloo Bridge,Gray Day (1903)

    Claude Monet (French, 1840–1926)

    A fog-drenched London bridge dissolves into mist, where industrial grit becomes strangely beautiful.

  • Home From The Fields (circa 1880-84)

    Home From The Fields (circa 1880-84)

    Charles Sprague Pearce (American, 1851–1914)

    A farmer and his animals trudge home at dusk, bathed in golden light that whispers of exhaustion and quiet resilience.

  • The Artist’s House at Argenteuil (1873)

    The Artist’s House at Argenteuil (1873)

    Claude Monet (French, 1840–1926)

    A vibrant depiction of Monet’s home, where light and nature merge in a fleeting, intimate moment.

  • Landscape (late 1770s)

    Landscape (late 1770s)

    Louis Gabriel Moreau (French, 1740–1806)

    A tranquil countryside scene bathed in soft light, where winding paths and distant cottages whisper of quiet solitude.

  • Lavacourt, l’hiver (1879)

    Lavacourt, l’hiver (1879)

    Claude Monet (French, 1840–1926)

    A serene winter scene where frost and fog blend into the Seine’s quiet banks, revealing Monet’s gift for turning ordinary landscapes into poetic whispers.

  • Camille on the Beach in Trouville (1870)

    Camille on the Beach in Trouville (1870)

    Claude Monet (French, 1840–1926)

    A woman stands serene by the shore, her dress swaying as sea and sky merge in soft, luminous brushstrokes.

  • Mending the Nets (1882)

    Mending the Nets (1882)

    Winslow Homer (American, 1836–1910)

    Fishermen mend their nets by the shore, their work etched with quiet determination against the sea’s endless horizon.

  • Lady Godiva (1898)

    Lady Godiva (1898)

    John Collier (English, 1850–1934)

    A luminous portrayal of defiance, where a noblewoman’s bare ride through town becomes a quiet act of rebellion.

  • La Seine à Port-Villez (1909)

    La Seine à Port-Villez (1909)

    Claude Monet (French, 1840–1926)

    A serene riverscape where light and water merge in delicate brushstrokes, evoking the fleeting beauty of nature.

  • A sleeping cat (1898)

    A sleeping cat (1898)

    Henriëtte Ronner-Knip (Dutch, 1821–1909)

    A tender portrayal of a cat mid-nap, its fur meticulously detailed, radiating warmth and quiet charm.

  • Portrait of Lady Agnew of Lochnaw (1865-1932)

    Portrait of Lady Agnew of Lochnaw (1865-1932)

    John Singer Sargent (American, 1856-1925)

    A mesmerizing portrait blending elegance and spontaneity, where light, texture, and gaze converge to reveal quiet charisma.

  • Voyage autour du monde Pl.026 (1825-1830)

    Voyage autour du monde Pl.026 (1825-1830)

    Louis-Isidore Duperrey (French, 1786–1865)

    A delicate exploration of discovery, blending scientific detail with the quiet poetry of distant shores.

  • The Magpie (1868 – 1869)

    The Magpie (1868 – 1869)

    Claude Monet (French, 1840–1926)

    A lone magpie stands sentinel over a snow-laden gate, bathed in winter light that turns the ordinary into magic.

  • La Maison Rondest Sous La Neige, Pontoise Or Chemin De L’hermitage, Pontoise, Sous La Neige (circa 1875)

    La Maison Rondest Sous La Neige, Pontoise Or Chemin De L’hermitage, Pontoise, Sous La Neige (circa 1875)

    Camille Pissarro (French, 1830–1903)

    A serene winter village scene, where snow transforms ordinary rooftops and paths into a softly glowing landscape.

  • Balistes laevis, The smooth old Wife. (1785-1797)

    Balistes laevis, The smooth old Wife. (1785-1797)

    Marcus Elieser Bloch (German, 1723–1799)

    A vivid portrayal of a fish, blending scientific detail with unexpected personality and folklore.