Explore Artworks

  • Le billet doux (1915)

    Le billet doux (1915)

    Edmund Blair Leighton (English, 1853–1922)

    A woman clutches a secret letter at dusk, her expression a mix of hope and hesitation, framed by opulent shadows.

  • La Seine À Bougival (1869)

    La Seine À Bougival (1869)

    Claude Monet (French, 1840–1926)

    A serene riverside scene where light and water merge in Monet’s signature impressionist style.

  • Salmo Fario, The Trout. (1785-1797)

    Salmo Fario, The Trout. (1785-1797)

    Marcus Elieser Bloch (German, 1723–1799)

    A luminous portrayal of a trout, blending scientific detail with artistic grace, evoking nature’s ephemeral beauty.

  • Low Tide, Isles of Shoals (1903)

    Low Tide, Isles of Shoals (1903)

    Childe Hassam (American, 1859–1935)

    A serene coastal scene where receding tides reveal hidden textures and quiet beauty, bathed in soft light.

  • The Houses of Parliament,Sunset (1903)

    The Houses of Parliament,Sunset (1903)

    Claude Monet (French, 1840–1926)

    A mesmerizing sunset transforms London’s Parliament into a blur of fiery colors, where light and fog dissolve reality.

  • Stack of Wheat (Snow Effect, Overcast Day) (1890-91)

    Stack of Wheat (Snow Effect, Overcast Day) (1890-91)

    Claude Monet (French, 1840–1926)

    A serene winter scene where a snow-covered wheat stack stands as a quiet sentinel under a muted sky.

  • Water Lilies (1907)

    Water Lilies (1907)

    Claude Monet (French, 1840–1926)

    A tranquil pond dissolves into brushstrokes of light and color, where lilies blur into reflections like half-remembered dreams.

  • The South Ledges, Appledore (1913)

    The South Ledges, Appledore (1913)

    Childe Hassam (American, 1859–1935)

    A vivid coastal scene where sunlight and sea collide, capturing the wild energy of Appledore’s rocky shores.

  • Femme arrangeant des oeillets (A Young Woman with a Bouquet of Flowers)

    Femme arrangeant des oeillets (A Young Woman with a Bouquet of Flowers)

    Federico Zandomeneghi (Italian, 1841–1917)

    A young woman lost in thought as she arranges carnations, her hands and the flowers bathed in soft light.

  • End of the season

    End of the season

    Archibald Thorburn (Scottish, 1860–1935)

    A serene yet poignant depiction of autumn’s final days, where fading light and lingering wildlife hint at nature’s quiet transformation.

  • La ville (1933)

    La ville (1933)

    Henri Nozais (French, 1870–1935)

    A fractured, atmospheric vision of urban life, where architecture and emotion warp under unseen pressures.

  • Knitting Girl With Headscarf (1885)

    Knitting Girl With Headscarf (1885)

    Eugen von Blaas (Italian, 1843–1931)

    A young woman in a headscarf knits with quiet focus, her hands and the textures of wool and fabric rendered in vivid detail.

  • A Vase of Flowers (1720s)

    A Vase of Flowers (1720s)

    Jan van Huysum (Dutch, 1682–1749)

    A lavish still-life where blooms and insects collide in hyper-detailed splendor, whispering secrets of beauty and decay.

  • 1. Acanthurus Velifer, The Sail; 2. Chaetodon maculatus, The maculated Chetodon. (1785-1797)

    1. Acanthurus Velifer, The Sail; 2. Chaetodon maculatus, The maculated Chetodon. (1785-1797)

    Marcus Elieser Bloch (German, 1723–1799)

    A pair of luminous fish studies, where scientific detail dances with artistic grace.

  • Die Traurigkeit (1841)

    Die Traurigkeit (1841)

    Natale Schiavone (Italian, 1817–1891)

    A somber figure drowns in shadows, their grief echoing through muted colors and delicate, crumbling details.