Explore Artworks

Her future (ca. 1920)

Harrison Fisher (American, 1875–1934)

A young woman gazes ahead, her eyes bright with quiet determination. The soft curve of her lips hints at secrets yet to unfold, while the delicate tilt of her chin speaks of dreams just beyond reach. There’s something unspoken in her stillness—a promise, or perhaps a challenge.
The Flamenco Dancer

Leopold Schmutzler (German, unknown)

A swirl of crimson skirts, the sharp click of heels—the flamenco dancer holds the air taut between her fingers. Her shadow stretches long against the floor, caught mid-turn, every fold of fabric alive with motion. The room hums with the silent rhythm of her stance, poised between passion and precision.
Foreign butterflies occurring in the three continents Asia, Africa and America Pl.238 (1779-1782)

Pieter Cramer (Dutch, 1721–1776)

Vibrant wings unfurl across continents—Asian patterns brush against African hues, while American specimens hover nearby. Each delicate engraving traces the silent flight of these foreign butterflies, their colors preserved mid-beat. A rare glimpse into nature’s fleeting artistry, frozen on the page.
Foreign butterflies occurring in the three continents Asia, Africa and America Pl.247 (1779-1782)

Pieter Cramer (Dutch, 1721–1776)

Vibrant wings unfurl across continents—delicate patterns from Asia, bold hues of Africa, and the exotic shades of America. Each butterfly, a fleeting traveler, pinned to the page yet alive with color. The paper breathes with their silent migration, a world of wonder in ink and line.
On the Swift River, Tamworth, NH

William Johnson Bixbee (American, unknown)

Sunlight glints off the Swift River’s rushing current, carving through Tamworth’s rugged terrain. The water’s energy contrasts with the steady quiet of the surrounding woods—a fleeting balance between motion and stillness.
A Red Deer in Winter (1886)

Arthur Thiele (German, 1841–1919)

A lone stag stands in the snow-laden forest, breath steaming in the cold air. Its russet coat contrasts sharply with the white drifts, antlers stark against the muted winter trees. The quiet crunch of hooves on frost seems almost audible in the hush of the scene.
Venice, Colourful Prints

Rubens Santoro (Italian, 1859–1941)

Gondolas glide past sunlit facades, their reflections rippling in the canal. The water shimmers with hues of ochre and coral, mirroring the weathered buildings. A fleeting play of light and color transforms the ordinary into something alive. Venice breathes here, vibrant and fleeting.
Portrait of a Young Woman (1835)

Ernst Deger (German, 1809–1885)

A young woman gazes past the viewer, her delicate features softened by the warm glow of candlelight. The lace collar at her throat contrasts with the dark folds of her dress, hinting at quiet elegance. There’s something unspoken in her distant expression—neither melancholy nor joy, but something deeper.
Woman in Turkish Dress (1767)

Angelica Kauffmann (Swiss, 1741–1807)

A woman gazes softly to the side, draped in an ornate Turkish robe. Gold embroidery catches the light against rich fabrics, her delicate fingers resting lightly on the folds. The exotic attire contrasts with her European features, hinting at distant lands and untold stories behind her quiet expression.
The harvest (1888)

Vincent van Gogh (Dutch, 1853–1890)

Golden fields stretch under a blazing sky, workers bent like reeds in the wind. Wheat stacks rise like small mountains against the horizon. The land hums with movement, heat, and the quiet rhythm of labor. Every brushstroke pulses with the sun’s intensity and the earth’s abundance.
La petite écolière (The Little Schoolgirl) (1879)

William Bouguereau (French, 1825–1905)

A young girl clutches her books, her gaze steady yet distant. The folds of her dress catch the light, soft against the muted background. There’s something unspoken in her posture—not quite reluctance, not quite resolve—just the quiet weight of a child stepping into an unseen world.
Girl in White (1890)

Vincent van Gogh (Dutch, 1853–1890)

A young woman stands in a white dress, her gaze steady yet distant. The brushstrokes swirl around her, alive with movement, as if the air itself trembles with unspoken emotion. Her stillness anchors the scene—a quiet figure amid the vibrant chaos of color and light.
Poissons, ecrevisses et crabes, de diverses couleurs et figures extraordinaires.. Pl.015 (1718-1719)

Louis Renard (French, 1678–1746)

Vibrant fish dart across the page, their scales shimmering in impossible hues. A crimson crab claws at the edge, while spined crayfish lurk below. Each creature twists with exaggerated flair—nature’s oddities amplified into spectacle.
Walt Whitman (1889)

John White Alexander (American, 1856–1915)

Whitman’s beard spills like wild grass over his collar, his gaze steady but distant. The light catches the folds of his coat, rough and lived-in. There’s weight in his stillness—not just a man, but a presence. You can almost hear the low rumble of his voice.
The Transformation Of Callisto

Edward Robert Hughes (English, 1851–1914)

A woman’s body twists into silver branches, her skin fading into moonlight. The forest watches as she becomes something else—no longer human, not yet myth. Shadows cling to her like whispers, and the air hums with the weight of a curse unfolding.